My name is Crystal Ocean, I craft energy-infused images to combat obsessive-compulsive disorder, seek solace for the inner child, and offer insights to other sufferers.

Preface

In this world, death is not to be feared, for humans have souls. What is truly fearful is a fate worse than death while alive. I thank God for leading me to use simple edited internet images to free myself from the human hell of obsessive-compulsive disorder. In the following, I will share my experiences in three parts: Part 1: Nightmarish Childhood, Part 2: The Hell of Obsessive-Compulsive Disorder, and Part 3: The Cure for Obsessive-Compulsive Disorder: Creating Empowering Images. As my English is insufficient to directly share my experiences, I first wrote this in my native language and used AI to translate it into English. I do this to fulfill a promise I made long ago - if I ever recovered from obsessive-compulsive disorder, I would do whatever it takes to help others suffering as I did. To share my story in my country of residence, I posted it online but much was censored, likely to avoid tarnishing the glorious national image. To avoid unnecessary trouble, I have replaced sensitive names with English capital letters.

Part One: A Nightmare-like Childhood

I do not think my birth is something to be thankful for or celebrated. Below is a note I wrote on April 11, 1997.

"An individual is passively created, intentionally or unintentionally, during the process of their parents enjoying physical pleasure; they are the byproducts of their parents' carnal pleasure. Before production, hardly any parents consider whether they can make this individual feel satisfied or happy. In fact, no pair of parents can ever enter the world of the individual they created to provide even a bit of help. In other words, the created beings are passively, and even reluctantly, brought into existence, yet they have to actively and alone, without any real help, undertake and face everything about living. In this sense, parents are the sinners of their children. Parents are irresponsible. Although not being able to provide practical help is not the responsibility of the parents, the fact that they have the initiative to choose between life and non-life, and they chose life, this, for individuals who are born and consciously unhappy, is the parents' fault."

I was born on January 19, 1966. Apparently, due to my large head, my mother labored for three days to give birth to me. According to her, she didn't receive proper care during her confinement period, which resulted in my belly becoming bloated before I was even a month old. I had to have a tube inserted into my rectum to release the gas in my stomach, and I cried day and night. Thus, when I was just over twenty days old, I was sent to be fostered by a wet nurse named Hui. Hui's family was extremely poor, and she was raising five children. I went to take over the breast milk of her last son, because Hui's husband could no longer afford to support such a large family. They sent their son away, and Hui became my wet nurse, with my parents paying them eighteen yuan a month for living expenses. I stayed with them for three years, during which time my mother would come to visit me once a year as it was a day and night's train journey from her work place to Hui's home. I learned that my wet nurse was chosen by my second aunt. Hui's family was affected by tuberculosis, so I contracted tuberculosis as a child. As far as I can remember, I had regular X-rays and penicillin shots, which made me limp, but Hui's family treated me very well. Hui's love for me was genuine, as if I were her own daughter. Unlike my mother, Hui was neither vain nor self-conscious. This experience demonstrated that my mother wasn't really prepared to be a mother and that she herself had not yet attained a fully independent personality or a sense of personal autonomy.

Childhood Scene One

In my memory, a strange man came to our house one day, and my mother forced me to call him "father." I was unwilling, frightened, and helpless, but there was no one I trusted who could help me. Perhaps this was how I felt when I first came home, as I heard that I was brought back by force. After living with Hui and her family for three years, I had become one of them. I called Hui "mother" and her husband "father"; I was truly a part of their family.

Childhood Scene Two

For some reason, probably when I was about four years old and had just returned home, I would feel sleepy whenever I had to eat. I couldn't control my drowsiness, and because of this, I would get beaten by my mother nearly to death each time. The pain was intense, and I was terribly afraid of my mother's fists, but I just couldn't resist the sleepiness. Even though this is a very distant memory, I can still vividly recall my utter helplessness and frustration when I succumbed to sleep despite my best efforts to fight it. It's heartbreaking to think of a four-year-old child having to exert her willpower to fight her own body to avoid physical pain. This story could either be a testament to human resilience or a lamentation of the human condition.

Childhood Scene Three

According to my step-grandmother and my mother, when I was about four or five years old, I went to collect fallen leaves. This involved holding a sturdy piece of wire and piercing the fallen leaves on the ground. When many leaves were strung together, I would strip them off the wire, and these leaves would be used for firewood. Many people did this at the time. One time, while I was collecting leaves, I fell and the wire pierced my mouth, nearly reaching my trachea. My mother blamed my step-grandmother for not watching me closely and beat me up as punishment. This might be a perfect representation of the cultural belief in my country that "beating is a sign of affection, scolding is a sign of love."

According to those who witnessed my childhood, I often ran out of the house screaming for help along the village path. To this day, I can still remember that sense of impending doom and desperate escape. In my childhood, our country was very poor, and our family all squeezed into one room. As long as I wasn't asleep, I could hear my parents' conversations. Once, I overheard my mother sharing an experience with my father. She said that she once hit me so hard that I stopped breathing. She thought I had died and was terrified, so she quickly tried to revive me and succeeded. My mother was a doctor, but I have no memory of this incident. I only remember that whenever my mother was not around, I felt safe and happy. When I saw my mother, I would instinctively hide behind adults because I was really afraid of her. Once, she mentioned to someone else that I seemed to dislike her very much and that I would become unhappy when I saw her. Indeed, she was right. From as far back as I can remember, my mother was the greatest threat in my life. I tried hard to recall any warm moments when my mother hugged me, but unfortunately, I could not find any traces in my memory. Of course, as an adult, I absolutely do not believe that my mother never hugged me. But I do believe that all such memories have been thoroughly washed away by fear.

In my memory, every time I fell down, I would get beaten. Because of this, I've always had a deep sense of inferiority. I just didn't understand why I couldn't even walk properly. It wasn't until I was in third grade in elementary school and saw a neighbor's child who frequently fell that I realized it wasn't my fault. As I write this, tears are falling again. As an adult, whenever I recall my childhood, I cry, perhaps as a way to compensate for the tears I should have shed in my childhood. Because back then, even when I was hit and in great pain, I couldn't cry, as crying would bring even harsher beatings. I remember very clearly once, when my sister fell, the woman who looked after her helped her up and said, "Oh, my darling." (Note: A regional expression of great affection for a child who has fallen.) I felt a deep sense of self-pity. I wondered why I couldn't be someone else's child. At that time, I must have been only about four years old, although the specific time might not be accurate. These events probably all happened in Xike. During my childhood, I moved to several different places with my parents, and in each place, I was always an outsider. However, that time might have been one of the better periods of my childhood, as I wasn't with my mother all the time and I got to play with other children my age in the village every day.

I think I was quite interesting as a child. Once, I saw a boy urinating while standing, and I also attempted to do the same. In the end, I wet my pants. I don't recall whether or not I was scolded. I also remember hearing from my mother about a time when someone was preparing to slaughter a duck, but I untied it and let it escape. However, I don't remember this incident. I also had a friend who was a few years older than me. Her name was Haiyan, and she always took care of me. She was in the first grade and taught me how to distinguish between male and female restrooms. That's how I recognized the Chinese character for "female." I found it very interesting to learn characters. I remember once she told my mom that she had helped me wipe my bottom, but I kept complaining that she didn't do a good job. Back then, we would pick up small stones from the ground to wipe.

My most miserable years were from 1971 to 1972 when my mother left Xike for Pantu. The place we lived was some distance from the village. My father was in another township and only came home once a week, so I spent all day with my mother. During that time, what I remember most is my mother insisting that I learn to write my name every day and learn to read the clock, but no matter what, I couldn't manage either task. This led to daily beatings. My mother would often pinch the flesh on my body, a particularly painful form of punishment. When I took off my clothes to bathe, my body was covered in bruises. My preferred form of punishment was when she would hit my head with her fist, which was far less painful than pinching. Because my mother believed in God, I had a vague idea of a deity, so I silently prayed for her to only hit my head with her fist when she was angry. During that time, life felt like a vicious cycle. My mother taught me to write my name and read the clock every day, I couldn't learn, and so I was beaten every day. Then the next day, the same story would repeat. Because our home was far from the village, there was nowhere for me to escape when my mother hit me. I could no longer run to the village and cry for help like I used to in Xike. There was also no one at home to rescue me. So every day, I felt like a small animal awaiting slaughter on a chopping board. The sense of despair and helplessness was so profound, it seemed to permeate every cell in my body. I believe my DNA was rewritten at that time, and the memories of those painful times are marked in the DNA of my offspring. What does it mean to be in perpetual darkness? Those days with my mother were exactly that. Every day, I hoped for the day to pass quickly because when night fell, it meant that I could go to bed and would not be tortured anymore. I was very young then, but for some reason, I already had the concept of the end of the world. I hoped for the end of the world to come every day. Perhaps this is why I am particularly fascinated with post-apocalyptic scenes in science fiction movies like "I Am Legend," "Maze Runner: The Death Cure," and "The Walking Dead." These scenes can meet my spiritual needs, they are like spiritual food, offering some comfort to my soul. Back then, I felt particularly inferior because a question always bothered me: why was I so stupid? I often stumbled when I walked, I couldn't write my own name, I couldn't read the clock, and I didn't even know how old I was. So, when I met children who could tell their age, I thought they were very smart. As for my son being able to effortlessly read the clock and write his name when he was young, I felt very relieved. It seemed as if my brain capacity was exceptionally small back then, and I could hardly remember anything. For example, when my mother asked me to buy a bottle of soy sauce, I was afraid of forgetting the word "soy sauce," so I had to jog all the way there, repeating "soy sauce, soy sauce" nonstop. But when I saw the salesperson at the supply and marketing cooperative and had to tell him that I wanted to buy a bottle of soy sauce, I would suddenly forget if the word I had been repeating all the way was indeed "soy sauce." I was always very scared because if I bought the wrong thing, I would be beaten. And if I ran back to ask again, I would also be beaten. So, I often gambled and brought home the soy sauce or other items, and it was not until I handed the things to my mother and saw that she was not angry that I could finally relax. It wasn't until I was in my 40s that I read an article in The Wall Street Journal and understood why I was so stupid back then. The article said that the intelligence of abused children could be delayed, but it would not disappear. My situation clearly was a case of delayed intelligence. Another question that had always puzzled me also found an answer many years later: the issue of my early maturity. I remember that I had developed before I was even 12 years old, which was quite unusual considering my living conditions at the time. Because of general malnutrition, children back then tended to develop late. I later learned from a science article that the bodies of abused children often develop early.

It is this heart-wrenching experience that has led me to a very different view of abortion than the traditional church. Because in my view, not every mother has the right to give birth, because a child is also a human, and their ability to feel emotions is no less than an adult's. Therefore, a mother does not have the right to give birth to a child and abuse them. If a mother is not capable of treating her child well, she should choose abortion to end the child's suffering as soon as possible, rather than give birth to them and let them endure more pain. I believe that a loving God would agree with me because I, personally, wish I had been miscarried before birth. My mother taught me to write my name and read a clock with good intentions, as she was preparing me for elementary school. However, the abuse I experienced under the guise of love is still being repeated over and over again in G countr. The so-called love of these mothers is nothing more than a devil's excuse, and these insane mothers are merely the devil's minions. I strongly agree with the practice in Western countries of using the law to protect the rights of minors.

During that time, a few incidents that my mother always criticized me for were as follows. Once, a cattle-herding child asked me and another child, whose mother worked in the health clinic's pharmacy, to look after a pile of cow dung. I don't know why, but I and the other child used sticks to scatter the dung, which could be sold for money at the time. Another time, I and the pharmacist's child smashed some onions that farmers had planted in a field next to the clinic with stones, because the ground where the onions were planted was very low, and we could stand above and throw stones downwards. Another incident was when my sister was sick and hospitalized. I stayed with her in the hospital because my father was a doctor there, and the whole family moved to the hospital. Outside the ward was a small tree, the leaves of which I plucked off out of boredom until there were only three left. I told myself not to pluck any more, but I couldn't help but pluck one every day until all the leaves were gone. These things have become ironclad evidence of my misdeeds when I was young. However, now that I think about it, with no toys and living in fear every day, it would be impossible for me not to do something bad.

One thing I vividly remember from that time was my fear of taking deworming medicine. The reason was that after taking the medicine, ascaris worms would be excreted with my feces and sometimes hang onto my butt, which terrified me. So, I tried my best not to defecate, despite the fact that holding it in caused abdominal pain. I still remember how scared I was to defecate. I really wished I had a loving mother by my side to encourage me. I felt that would give me the strength to overcome my fear. But getting emotional support from my mother seemed like a luxury, an impossibility, to my childhood self.

Of course, I've had my lucky moments. When I was five or six, my parents went to visit friends far away for about a week. They left me alone to take care of our chickens at home because they were afraid no one would feed them. On the first day of living alone, I encountered a problem. The door was slightly sagging, making it impossible to insert the bolt into the lock hole. I was too short to reach the bolt, let alone lift the door. So, I put a wooden armchair behind the door to block it and took care of our chickens with all my heart. I didn't blame my parents for leaving me alone. I thought it was natural because the chickens needed care. I spent a few days in peace, but two days before my parents returned, I accidentally hooked my pants on the fence in the chicken coop and tore an L-shaped hole in them. Instantly, the light vanished, and a pall of gloom descended upon my heart, for I knew another severe beating awaited me. I wished time would stop because without seeing my parents, there would be no physical pain. At least I wished time would slow down to delay the impending punishment. With great fear, I managed to survive the two days until my parents returned. When I saw them, I was extremely scared. I remember being so terrified that I couldn't utter a word. All I heard my parents say was, "She might be angry that we were gone too long." From this comment, I felt as if my mother thought they owed me something. I took advantage of this moment to courageously reveal the accident with my pants. To my surprise, my mother didn't explode in anger. I dodged a bullet, which to my childhood self, felt like winning the grand prize in a lottery. That's why I still remember this incident vividly.

In the face of my bleak life, the innocent and helpless me was also trying to find a solution. One day, one of my mom's friends came to our house and told my mom that a family had accidentally brought back a greenish human bone while picking firewood in the mountains, which caused their house to be haunted. It was not until they found a medium (a folk shaman) who found the bone that they learned that greenish human bones could turn into ghosts. After hearing this story, I kept it in mind. When I started elementary school, I once went up a mountain with a classmate. There were human bones scattered all over the mountain. I specifically picked up a greenish human bone, hoping it would turn into a ghost to play with me. I was very curious because I was not afraid of ghosts at all at that time. I thought if the bone turned into a ghost, the ghost would definitely love and cherish me. Thinking back, I must have thought that people were more frightening than ghosts, that's why I wanted to find a ghost.

After starting school, I studied very seriously in hopes of pleasing my mother and avoiding beatings. However, I was no longer beaten nearly to death every day as I was when I was little. Still, to me, my mother remained an unpredictable and capricious figure, prone to sudden bouts of coldness or physical aggression, which were commonplace. I remember one time when I was locking the chicken coop, I had the keyhole of the padlock facing left, and this got me beaten up because she found it inconvenient when unlocking. Another time, I had locked the door and forgotten the keys. Luckily, I managed to dodge just in time, or I would have died at her hands. She had picked up a small hoe and swung it at my head, and where the hoe fell was exactly where I had just stood. So, in my childhood memories, my life was worthless in my mother's eyes.

Living with my mother, every day was an endless torment. I had to be extremely careful, paying attention to her every glance, trying hard to guess her every thought. One of the deepest impressions was about the door of the coal stove. Since I would get home from school earlier than she got off work, I had to open the stove door early to ensure that the fire would be just right when she came home to cook. However, when the stove door was open, the coal would burn quickly. If it burned too much, the fire would not be good, and it was extremely difficult to control. To ensure that when my mother came back, the stove fire was just right and I would not be scolded or beaten, I had to keep an eye on the coal stove every day, opening and closing the stove door, and running out to see if my mother had come back. I had to make sure that when she came back, she saw that the stove door was open and the fire was just right. The hesitation and indecision in waiting for uncertainty that I could not control is unforgettable.Another challenge was dealing with the patients because my mother was a skilled doctor, so there were always a steady stream of patients seeking treatment. When my mother was not at home, I had to either turn away the patients or ask them to wait, which always left me very uncertain. Sometimes when the patients were waiting, and my mother came home in a bad mood or tired, I would be in trouble. If I let the patients go home and the patient came back next time and said that they had brought a gift that my mother liked, and they had to go home because they couldn't find my mom last time, I would be in trouble again. Therefore, every time I encountered this situation, it was only when my mom had seen the patient and did not yell at me that my heart, which was full of ups and downs, would finally settle down. In the eyes of others, my mother was food, warmth, and security, but in my life, my mother was torture, fear, and agony.

In a cold home where the air was tense every day, I always played the role of a very cautious actor. One unforgettable performance was when I was on the bustling county town bridge, having to cross the constantly flowing bridge surface with people and vehicles. As I was walking on the sidewalk by the side of the bridge, as soon as I stepped my right foot onto the motorway, a bicycle rolled over it. I don't remember how old I was then, but due to years of abuse and torment from my mother, I had completely lost the ability to respond normally to environmental harm events. I instinctively pulled my right foot back onto the sidewalk. I was very scared and at a loss. The first thing I thought of was not the severe injury to my foot, but the harsh punishment from my mother after she found out. Soon, my right foot became blue and swollen, and every step was painful. But the fear of my mother overcame everything. When I came home, I acted as if nothing had happened. I forced myself to bear the pain and made my swollen right foot walk as if nothing had happened. I don't remember how long that cruel performance lasted. Was it several days, a week, or half a month? I only knew that a small life, in this lonely, cold, helpless world, was protecting itself from harm in its own unique way and stubbornly surviving. I really don't know what force accompanied me through my hellish childhood.

Why are children beaten when they get hurt? What kind of justice is this? What kind of love is this? Love comes from God, it is empathy for a child's pain, not sprinkling salt on a child's wound. The people of country G have invented a love called "control", which is completely incongruous. Love comes from God, control comes from the devil, hell and heaven have always been unrelated. Doing the devil's bidding while wearing God's coat is truly a hypocritical act that matches its glorious title.

I have a hypothesis or a guess, perhaps because the spirit I carry is particularly unique and precious in another dimension, so coming to this world makes me so uncomfortable.

It is precisely because of these deeply painful experiences, that after I believed in God, I made a very sincere prayer from the bottom of my heart to Him, asking Him not to let me hurt people like my mother did. If I can't control myself and hurt a child, then I must die in advance, meaning I am willing to exchange my death for the potential of hurting others. This is why, after I had a son, "Fathers, do not exasperate your children"(Ephesians 6:4) is the most important rule I follow when dealing with children. Every time after a conflict with my son, I always introspect if I upset him, and question whether he was right or I was. I am always nervous when raising my son, afraid that I might make a mistake and hurt him. I work hard to learn psychology and try to educate my son as psychology teaches.

Part Two: The Hell of Obsessive-Compulsive Disorder

In my childhood, being a foreigner, an outsider, was my most fundamental identity. At that time, country G was essentially isolated from the outside world, a country with very little population mobility, and I was undoubtedly a foreigner in this country at all levels. Because my father was a native of country H, who came to G when he was in his teens, and my grandmother was the only daughter of a wealthy businessman in Singapore, so at the national level, I was an outsider. At a micro level, my mother was a doctor, and doctors moved a lot at the time. I moved with my mother's job changes from one place to another. We either lived in the unit's house or rented a place. I counted that I lived in nine different places during my childhood. Being an outsider meant being vulnerable and unsafe because anyone could bully you. Therefore, school safety was a great pressure for me. I worried about naughty classmates scribbling with chalk on my desk, worried about the ink being flicked on my clothes by the student behind me, and worried about being driven out by other children when I had to pick up the rice in the fields for the school during the autumn harvest season because of my foreign identity. Standing in front of the classroom blackboard as punishment was a common occurrence, but what worried me the most was the labor class every Tuesday. An important part of the labor class was to carry manure and water the crops in the agricultural base. Normally, two students formed a group, one with a manure bucket (a large wooden bucket used by farmers to carry manure) and the other with a shoulder pole. But our family was not a farming family, so we only had a shoulder pole and no manure bucket. Everyone wanted to carry the pole because it was easier to carry. If someone always carried the pole, others were unwilling to team up with them. This is the most worrying thing I remember from elementary school. For two and a half years in elementary school (I was good at studying, so I only attended elementary school for four years, and one and a half of those years was at an urban elementary school, so there was no labor class), I was worried about the arrival of the labor class every Tuesday afternoon, it was a dark cloud over my elementary school years.

Starting from junior high school, my living environment improved because college entrance examinations had been restored, and I was particularly good at studying. My grades were almost always ranked first in the year. Many old classmates recall that I was almost their idol at the time because I was not only good at academics but also a sportsman. I often ranked first in the school in short running, shot put, and other events. Besides, I was always the champion of the county speech competition. However, I never took pride in this internally. I was more ashamed, and in the second year of junior high school, another dark cloud hung over me. I lived in worry throughout the year.

The math teacher who taught me in the second year of junior high school liked to have quizzes on Thursday's math class. The quiz questions were written on the blackboard, and my eyesight had become myopic. I could not see the teacher's blackboard writing during the class, but this had no effect on me, who had a strong ability to self-study. However, quizzes were a problem because I could not complete the test without seeing the questions the teacher wrote on the blackboard. I had to tell my mother that I was myopic and couldn't see the teacher's blackboard, but my mother not only didn't help me get glasses but also scolded me. The reason was that I told the teacher that I was myopic because I read too much. My mother had a strange mentality. She liked that others regarded me as a child prodigy, the kind who knew everything without reading. She thought it was embarrassing for me to tell others that I read a lot of books. So, the quiz every Thursday in the second year of junior high school became my worry. I couldn't copy from my classmates for fear of being misunderstood as cheating. I have a vague memory of how I got through this difficult period, but the daily worry about the arrival of Thursday during the second year of junior high school is etched in my memory.

I, who was always under high pressure and alone without support, could no longer hold on when I was 16 years old in the second year of high school. I became a thorough patient of Obsessive-Compulsive Disorder (OCD). I remember that during class, I suddenly felt that the whispering behavior of two male students sitting behind my desk affected my listening to the class. From that class onwards, my attention would be compulsorily shifted to pay attention to whether the students behind were talking during each class, worrying that their talking would affect my study. My attention, thinking, and emotions seemed to be no longer under my control. Another part of my life seemed to have alienated into another independent personality, which had a far greater power than "me". As long as she wished, she could control my emotions, my thinking, and attention at any time. She forced me to shift my thinking and attention to the sound she chose, then kidnapped my emotions, making me worry every moment about the possibility of this happening.

So, from the onset of the disease to the college entrance examination for more than a year, I could only use 60% to 70% of my energy for study, and the rest was consumed by OCD. During class, I had to listen to the teacher's lecture while paying attention to whether the students behind were talking, worrying that if they talked, it would affect my listening to the lecture. Since the high school I attended was far from home, I lived with my step-grandmother when I went to school, and I only returned home on Saturday nights. So, when I was doing homework at my grandmother's house, I had to worry that the neighbors' chat outside the window would affect my study. When I returned to my own home, I had to worry that the sound of the TV at home would affect my study. To escape these sound interferences, in my grandmother's house, I had to close the doors and windows even in the hot summer with temperatures over 30 degrees. At my home, I had to hide in the kitchen to study next to the burning coal stove, even on the hottest nights in summer. I really don't know how I managed to squeeze onto the single-plank bridge of undergraduate admission to a university, which reportedly had an admission rate of only 0.03%, and without repeating a year (most of my college classmates repeated at least one year, up to four years). I think it must be the strong desire to escape from my original family that provided the drive for my already shattered self.

During university, my OCD symptoms were significantly alleviated because I was able to choose my seat for both classes and self-study. For each class and evening self-study, I would arrive early at the classroom to occupy a seat in the back row. The main worry for me during my university days was sleep, as dormitories usually housed eight to ten people. I typically had to wait until the last roommate returned before I dared to sleep, fearing that I would be woken up. Starting in my sophomore year, I began to borrow psychology books from the university library, which led me to realize that I had OCD, thus embarking on a long healing journey that would last for over thirty years.

After graduating from university, I found my work deeply unsatisfactory and my future seemed bleak. I stopped striving and learning, and for a few years, I barely felt the effects of OCD. During this period, my mother aggressively interfered with my marriage, which prompted me to run away from home and almost completely sever ties with my birth family. After getting married, I experienced two major car accidents. Due to a near-death experience from the second accident, I realized that humans have souls. In the emergency room, I made a deal with God and became a Christian. My job also transitioned from rural to urban areas, but after achieving financial independence, I was very poor. Despite severing ties with my family, my parents still demanded 60% of my monthly salary. This was not because they needed me to support them - their income was actually quite high at the time. They did this out of a need to retaliate against me. I complied to avoid their beast-like, brutal harassment. During this period, my mother used every vile and despicable means she could think of to try to kill me.

When my job was transferred to a big city, my ex-husband and I couldn't afford the high rent, so we borrowed a small room from his relatives. After experiencing two consecutive car accidents, we felt that we should move. So my ex-husband's generous sister paid half a year's rent for us to rent an old house in the city center. The house was old and run-down, with two floors. The landlord lived on the second floor, and we lived on the first floor. Since the house was so old, the floorboards barely had any soundproofing function. This is when my OCD symptoms returned. For the next 20 years, I went through continuous flare-ups. Whenever I was at home, my attention would be forcibly shifted by OCD to focus on the noises coming from the second floor. Every day, as long as I was awake, I would be immersed in anxiety. I felt as though I was living in a different space, where the sky was always gloomy and I could never see the sun. But on the surface, you couldn't see anything abnormal about me. I was always smiling, because I wouldn't tell anyone about what was happening in my life, or the situation I was in. I believe no one could understand, unless they experienced it themselves. No one would believe that a person's thoughts and attention could be forcibly shifted, and no one would believe that a person's emotions could be constantly suppressed and immersed in a state of anxiety. This was my secret, and I didn't even tell my ex-husband, who I lived with for ten years. On the surface, I worked and lived a normal life, but the real me was always trapped in a desolate wilderness full of dilapidated graves. The sky was dark, the surroundings were silent, and there was no company. Only the solitary me was wandering around.

In less than half a year, I was fortunate enough to be allocated a flat. The flat, located on the first floor, was a three-bedroom apartment with excellent construction quality. I thought my worries about the noise from the second floor would be resolved. However, not long after moving in, the problem arose again. I began to pay attention to the sound of the floor again. Thankfully, the apartment on the second floor was always unoccupied, which gave me a great sigh of relief. The first thing I do when I come home from work every day is to check for signs of someone moving into the second-floor apartment. If I don't find anyone living there, I am very happy. That was the focus of my life during that time. Most of my attention every day was devoted to this issue. It was the focus of my attention and the most important factor in determining my mood.

I felt like an idiot, paying attention to things that were meaningless every day. I considered my behavior childish, absurd, and ridiculous, so I hid my absurd behavior very well, not revealing any flaws. This went on for a long time. I confirmed that the apartment on the second floor would not pose a threat, and before I had time to be happy, I noticed the noise from a metal processing shop across the road. However, because the shop was quite far from my house, its adverse effects on me didn't last very long. My attention shifted to another nearby metal processing shop closer to the living room window. The noise from the shop I chose this time had a lasting and severe adverse effect on me. Because I saw no hope of getting rid of it, I considered it a permanent presence affecting me. I still remember the desperate anxiety of 20 years ago.

To alleviate my anxiety, I comforted myself in this way: First, the sound wasn't too loud; second, it would move one day; third, this shop had been there for a long time, and I hadn't noticed the noise before, so it didn't affect me before; fourth, my house wasn't the closest to the shop. I comforted myself this way to lessen the subconscious thought that the noise was targeting me. I wanted to realize that others were more severely affected than me, and I was one of the less affected ones. However, my self-brainwashing had no effect.

For a long time, my life was almost entirely covered with despair and anxiety, even when I went on vacation. I was constantly worrying that the noise would affect my life. A few years later, due to urban reconstruction, the shop's bungalow was demolished, and my fear disappeared with it. Not long after that, one noon while I was taking a nap, I suddenly heard the crisp sound of a marble falling on the floor from the neighbors upstairs. My attention was once again drawn to this sound. I comforted myself this way: First, the neighbor is not directly upstairs so the impact isn't significant; second, the child might go back to their hometown; third, even if they don't go back, they will grow up and stop making noise; fourth, I have other bedrooms to move into. Perhaps because the reasons for my fear this time were not sufficient and there was no sign of permanence, the fear didn't last long and disappeared.

Then, during another nap, I heard a knocking sound coming from the basement. My nerves immediately tightened up, and I lost all sleepiness. Every day when I came home, I would listen attentively to whether there was any sound coming from that direction. A few days later, the sound from that direction indeed appeared again. My worries surfaced again. I told myself to wait and see. But a few days later, the knocking sound reappeared. So, I decided to go to the basement to see what was happening. I found out that a neighbor had rented out his basement to a shoemaker. The sound was from the shoemaker hammering. I told him that the noise affected my rest, and also mentioned that because the basement was a storage room, not intended for living, its ceiling was low, and the soundproofing was poor.

After that, I would listen intently for the sound from the basement every day when I got home to judge whether my intervention had worked. But a few days later, the knocking sound reappeared. At this time, I felt doubly hurt. Besides the original noise, there was the hostility from the shoemaker. Because I was inwardly weak and inferior, I feared confrontation the most, so my fear and anxiety worsened. For several months, because I couldn't take a nap at noon, I was in a state of sleep deprivation every day, listless all day. I comforted myself that the sound was coming from below, and I could retaliate by making the people below unable to sleep, so the sound really didn't matter. But my fear argued with me, because the basement only had two-thirds the height of a regular floor, she felt a strong impact. This time, the noise from the basement affected me for three or four months, until I got pregnant. I was sleepy all day, and my sleep was especially good, and the sound disappeared.

Not long ago, due to the demolition of surrounding bungalows and the construction of high-rises, I began to focus my attention on the noise from the construction site. But the impact of this noise quickly vanished, because the site was so noisy that even the nanny couldn't rest well. I was very worried that the nanny would quit and go home, because the operation of our household relies entirely on the nanny. The nanny is too important to me, so this worry drove away my fear.

I had only lived a normal life for a few days when the renovation started on the second floor of the building I live in. The renovation was extremely unethical, demolishing all the load-bearing walls in the living room and bedrooms. Not only did the renovation severely affect my family's sleep, but it also caused leaks in my kitchen and bathroom. When I raised objections, they were not accepted. Instead, I was threatened. I knew he was a low-educated and extremely uncultured person, so I ignored him, but I began to fear his image and any noise coming from the second floor. The phobia this time lasted for several years, causing me pain that I cannot express in a sentence or two. Below is a note I wrote during that time.

"Today at noon, I was tortured by phobia again and couldn't sleep. I felt dizzy and listless all afternoon. Recently, I have been frequently tortured by this obsessive-compulsive disorder. My fear is of the noise from the second floor. Although the second floor is uninhabited, the owner comes every few days and makes noise, although I don't know what he's doing. I know that this psychosomatic disorder is my biggest enemy. It consumes a lot of my energy, but I have no strength to fight it. It is so powerful, lurking in my head, controlling me. I am extremely unwilling, but I have to obey it. It's like a slave owner with power over life and death, and I am like a slave who has been deprived of all rights. I have to obey its commands everywhere. It orders me to go east, and I can't go west. It is so domineering, so violent, and unpredictable. With it, I have no sense of security, just like when I'm with my mother, I am always nervous and afraid. I don't know when and in what way it will come to trouble me again, exerting its tyranny. Compared to it, I am so weak. I can't save myself, I can't get rid of its control. I am like a dough being kneaded by a pair of strong hands, or a piece of meat to be cut on a cutting board. I am absolutely passive. I command myself not to pay attention to it, but it's no use. I am tortured by it very painfully, so I have never given up the effort to resist. I fight with it, but I lose every time. My heart is cut into small pieces by an invisible knife. I am a disabled person who can't be seen. She not only can't expect to be understood by others, but also has to pretend to be healthy to deal with various difficulties in life. She is in pain, but she can't groan. She can only pour her pain into her diary.

I found that it is as mysterious and profound as my life. It is in my life. It coexists with my life. It is an invisible but real existence. It is a spiritual existence, an invisible substance. It is connected with a ubiquitous power. It is a part of my life, that is, the degenerate part of life. To eliminate it, I have to destroy my life, that is, I have to die with it. There is only one way, I have to understand the mystery of life, and then understand the cause of its degeneration, and finally repair and correct it. This method is definitely not a conventional method. It is a spiritual disease, so it must be healed by spiritual methods."

In light of the thoughts above, I began to fervently read the Bible and Christian literature, attend church every Sunday, pray devoutly every day, and ask God for healing. I also sought the prayers of church pastors and elders to heal my illness in the name of Jesus, rebuke evil spirits, and so on. I can say that I tried every possible effort to solve the problem through Christianity, but none of them had any effect. I was filled with doubts about this because when my phobia attacked, I was filled with hatred from head to toe. I wished I could tear the people who bothered me to pieces. If I really had the supernatural power to kill, I wouldn't blink an eye before wiping out their whole family. I believe that the merciful God definitely wouldn't want me to do this. According to the church, my prayers must be in accordance with God's will, and God had no reason not to help. But the reality was that the promises of God as told by the church were like clouds floating in the sky, with no strength whatsoever. Therefore, I turned my eyes to self-help and motivational books, and developed my own understanding of God. I wrote in my diary at that time:

"God rarely interferes with the world He has created, because the natural world is a coordinated whole, and each individual is an indispensable part of this whole. He cannot disrupt the harmony of the whole for personal wishes. Each individual must serve the purpose of the world's existence, just like a machine made up of many different parts, each with its own function. When these different functions unite, they form the function of the entire machine. If one part breaks, the machine cannot operate. The same logic applies to people in the world. It's impossible for everyone to be the president, a billionaire. There must be some beggars, some poor people, people with good jobs, and there must also be people with bad jobs. These are things that even the Creator himself is unwilling to change. This is what we call fate. Because He can't turn everyone into rich people just because everyone believes in Him and prays to be rich. Rich and poor are relative; where there's rich, there's poor. But when He created the world, He also secretly placed the standards for happiness and success within it. As long as people follow a certain path and abide by certain methods, they can obtain this treasure. Since this secret was placed at the creation of the world, obtaining what people want through this path does not violate the world's rules. The way to achieve happiness and success is to let go of all worries, be positive and optimistic, and anticipate the arrival of good things. If people pray for God's help, He will guide you on this path. He merely points out the path, not give you the result through supernatural means. His secrets for success and happiness are also written in the Bible, which are to not be afraid, to have faith, to unload worries onto God, and then be full of joy. And also to tolerate, wait, hope in God, which is to expect, and to achieve these, an important prerequisite is to be full of faith, 100% relying on God, believing that He will give you the best. On this point, I think that some Christian missionaries who always emphasize that believers will face trials and tribulations are not doing a good job. Because when explaining the reason why people's prayers are not answered, they also bring some unfortunate and negative thoughts to believers, causing believers to get some bad suggestions unknowingly and walk the path that God arranged in the world towards unfortunate results, thus truly becoming unfortunate. "

Original sin as written in the Bible, proclaiming the evil of man, prompts people to introspect and shed their baseness, thereby elevating the spirit to become noble. At the same time, it teaches people to be humble, to seek the one true God and achieve eternal life.

After death, it's possible that people will enter different spaces, some of which are good and some bad. The criteria for which space one enters are twofold: the first is whether one worships the God who created the world; the second is the degree to which the soul has been purified and elevated.

The trials and tribulations propagated by Christianity mainly provide a rational explanation for the phenomenon of human desires not being fulfilled when following the laws of the world, including teachings about not coveting and being obedient.

I believe that the Bible is a book in which God teaches people how to ascend from a low state. God is omnipotent, but when He led the Israelites out of Egypt, He did not use a gust of wind or teleportation to suddenly place them in Canaan. Instead, He took 40 years to lead them step by step. The purpose was to rid the Israelites of their passive, negative, and complaining slavishness, turning them into active, proactive individuals who would express genuine gratitude and praise.

In the Bible's account, God rarely delivers His promises directly to people in a supernatural way. Instead, He gives people strength, helping them attain their desires through their own effort. If there is a real need to grant something to people in a supernatural way, it is merely for daily needs – just enough to maintain the most basic consumption, like the widow's flour and oil, manna, and meat brought by ravens to the prophet. He does not promise that people will not encounter hardships, but assures inner peace and His presence, which means providing reliance and strength for people to deal with everything they encounter in life. This aligns perfectly with the principles of psychological counseling, which is not to solve the problem for the client but to help the client solve their own problems. In fact, for personal growth, one must dare to "face" rather than "escape." Escaping only leads to dependence, fear, inferiority, insecurity, and incompetence, which can easily give rise to resentment, jealousy, and other sinful emotions. "Facing" helps to gain ability and a sense of achievement, creating conditions for tolerance, praise, gratitude, and self-esteem.

God wants people to be filled with His power, thereby removing base and inferior things, gradually becoming noble and holy, and naturally letting this power overflow, to melt away sinful emotions such as hatred and jealousy, rather than asking us to use our own rationality to control our emotions. "If someone strikes you on one cheek, turn to them the other also" is a mature person's attitude toward a child. If a child, angry with an adult, hits the adult's left cheek, the adult, out of love for the child, offers the right cheek to satisfy the child. That adult is filled with God's great power and love, making everything under his control and authority, sitting in heaven with Jesus on the right hand side of the Father, and that child represents the ignorant world.

When someone hurts us and we don't seek revenge, it's not because we lack the power and use the teachings of the Bible as a shield for our incapability. It's because we indeed have the power to take revenge, but we choose to abandon it because of the teachings of the Bible. This is the true good behavior."

Based on the above understanding of God, I began to massively transform and upgrade myself. Specifically, the methods were as follows: First, I strive to make myself strong and convince myself of my strength. Second, when feelings of inferiority arise, I list and analyze them, adjust my mindset in advance, and then return to the same environment to practice. Third, when pessimistic thoughts occur, I list and analyze them, and then prove through facts that these thoughts are wrong.

Below are the various lists I made for myself at that time.

List of Inferiority

(1) I felt my essays were worse than others in elementary school, so I was too shy to read them to my classmates. (Note: The teacher thought my essays were very good and asked me to read them out for others to learn.)

(2) I thought my violin case looked ugly, so I didn't take it out. (In elementary school, only two students were selected to learn the violin, and I was one of them.)

(3) I felt embarrassed wearing boys' trousers. (An elementary school issue, maybe my classmates didn't care at all because everyone was poor and dressed casually.)

(4) I felt that my clothing was inferior to others'. (This might be true.)

(5) When eating in the university cafeteria, I felt embarrassed whether I bought a small or large amount of food. (Note: It's ridiculous.)

List of Pessimism

(1) I moved and thought the house would definitely collapse. (Note: The construction of the adjacent building was improperly carried out during a heavy rainstorm, causing the foundation of our house to be hollowed out and it became dangerous. However, the house did not collapse after cement grouting.)

(2) My phone was disconnected after I just paid the bill. I thought it was due to renovation workers making international calls and using up the phone credit. (The actual situation was that the phone company was upgrading phone numbers and had temporarily stopped collections.)

(3) When I couldn't find my pants while the nanny in Xinwei was around, I thought they were stolen. (Note: This nanny had a record of theft at her previous employer's, but the pants were found later.)

(4) As soon as I got into a taxi, I thought the driver was intentionally taking a longer route, but it was the normal route.

(5) I thought that if people found out about my divorce, they would laugh at me and the pressure would be huge. (After the divorce, my parents blackmailed me economically and kicked me when I was down, and my complete despair of my parents helped me break free from psychological bondage and gradually become stronger.)

(6) I thought that leaving my ex-husband would be very painful, but the result was more relaxed.

(7) The neighbor on the third floor opening the door for a relative is not as bad as imagined.

(8) The gatekeeper will also help people, not as bad as imagined.

List of Perfectionism leading to Failure

(1) When I was a child, I thought that learning to play the piano should be systematic, so I gave up learning.

(2) When I was a child, I thought that practicing handwriting should be systematic, so I gave up practicing.

(3) I didn't use my notebook because it was too pretty and I wanted to keep it perfect.

(4) I was afraid that my articles wouldn't be perfect, so I didn't write.

Views of a Failed Life

(1) Before doing something, they consider what will happen if they fail, afraid of disappointing others and being laughed at, so they always hide their intentions. In reality, mindset is the helmsman and beacon of success. Whichever direction your mindset points to, that is the direction in which things will develop. Therefore, it's essential to break free from such mindsets, focus on success, and do your best to accomplish the task at hand. Don't worry about anything else, especially the opinions of others.

(2) They strive for perfection in everything. They always feel a sense of inadequacy before they perceive something as perfect, and they always feel the timing isn't right. They are unwilling to use what they already have for fear of ruining the 'perfect' image or falling short of an ideal state of mind. The truth is that everything is constantly changing and evolving—there is no such thing as real perfection. Waiting for the perfect moment to give your all means you will miss opportunities. People with this mindset, even with 100% ability, can only perform at 50% at most. Therefore, you must give up the obsession with perfection.

(3) They focus on the unknowable and uncertain future, instead of seizing the present. They constantly worry about the future, even to the point of giving up the present to prepare for an unknown future. Since their focus always falls on emptiness, they end up leading a hollow life.

Of course, these basic self-analyses couldn't provide any immediate help for my phobia, which continued to torment me mercilessly. The following is a very detailed description of how I felt when my phobia struck.

"At noon, I was in great pain and wanted to rest for a while, but it kept dragging me, not letting me rest. I was already tired, but I couldn't step into the realm of sleep, even though it was just a step away, so relaxing and tempting. I struggled desperately and was exhausted, but it wouldn't let me go. I couldn't relax, I was tense, and my thoughts were like a tightly drawn bowstring. I was afraid that when I was about to fall asleep, that voice would suddenly appear, waking me up and preventing me from sleeping. I was afraid that I would be startled while relaxing and almost asleep. I was afraid of that sudden startle, so I kept my mind alert to guard against it. I was intently waiting for the voice to appear to confirm that I was indeed disturbed by it. I wanted to confirm that the voice would really affect people's rest. At the same time, I wanted to confirm that the voice wouldn't appear at all, or it was so small that it wouldn't affect people's rest. I paid attention to the voice, carefully judged its volume and direction, and tried hard to analyze whether the voice would affect people or not.

I tried hard to identify whether the sounds that appeared were the ones I was afraid of. If confirmed they were not, I would feel a little more at ease and be very happy. If confirmed they were, my heart would suddenly sink, as if I had plunged into a deep abyss of despair, enveloped by a mist of sorrow and gloom. My thoughts suddenly turned negative, I was listless, even lost my appetite, I became restless, my tolerance level suddenly dropped to the lowest, and my reaction to stimuli was particularly intense. Every nerve and cell in my body was aroused, and I was filled with hostility and resentment towards everything. It seemed as if there was a nameless fire in my body that was always going to flare up, and my stomach was in chaos, having diarrhea several times a day. Due to lack of sleep, a thin layer of white coating would appear on my tongue, my head would feel heavy, my body would be tired and weak, and I wouldn't even want to move. I really wish I wouldn't keep paying attention to the sounds from the second floor, I'm afraid the sounds will harm me and affect me. In order to eliminate the hostility in my subconscious, I also tried to imagine the upstairs room as my own, with my relatives living in it. But this imagination was futile. I don't know why my fate is so tragic, and I don't know why I am subjected to such painful torment. I have a feeling of loneliness and helplessness, and I need warmth and comfort."

I know the source of my fear comes from my mother. As a child, I had no choice but to stay with my mother, who was also my greatest threat. I didn't know when this active volcano would erupt, when I would get beaten again, and I was really scared of the pain when I got hit. To my mother, I was so weak, I didn't have the ability to protect myself, I was so helpless, so isolated, because there was no chance of a protector appearing around me, I had nowhere to hide, and I couldn't escape. All I had was worry and fear, which was my basic state of life. A mother, for a person's childhood, is the greatest protector, the most reliable support, she is warmth, she is safety. But the safest I should have become the most insecure. This is the inside, and on the outside, as an outsider, I have to live carefully and tolerantly, for fear that any trouble might come accidentally. This means that as a person's instinctive need for security, I have not been satisfied at all. The sense of security I should have as a person has been completely deprived of me.

I often resent fate for being unfair to me, making me have such a miserable experience, I don't know why I am so unfortunate.

I often fear that my phobia will have a negative impact on me, causing me to lose things I should have gotten in normal situations, such as affecting my sleep, making me lethargic, leading to a decrease in work and study efficiency, and wasting my time.

I comfort myself in this way: it hasn't had any negative impact on me, it doesn't matter, there's no such thing as perfect in the world, the existence of imperfections is real life, many people's living environment is worse than mine, affected by noise greater than me, but others live like this, I can live like this too, I am not the first time living under other people's floor, the first two years after graduation from college, there were people living upstairs I still live well, the sound is actually very small, just occasionally making noise, it's not enough to affect my life, I will gradually adapt to this sound, and will slowly get over this fear, just like the previous few times, maybe I will also move. But every time this kind of self-comfort, at best, is just a kind of self-deception, a powerless struggle in despair, it has never worked at all.

In an irretrievable predicament, I started to actively seek professional help. I found the two most authoritative psychological counseling companies in my city at the time, underwent psychological counseling and hypnosis treatment, and participated in the volunteer training of one of the companies. I underwent hypnosis treatment for half a year. In hypnosis, I found that I linked the sound from the second floor with the feeling of being beaten when I was a child. The vertical sound from the top of the head is associated with my mother hitting my head, other directions are linked to the feeling of my mother hitting other parts of me. Fear of sudden sounds is fear of my mother's sudden beatings, so I suggest to myself that the weak, beaten, inferior, pitiful little girl has grown up, now she is very strong, very safe, she is confident and capable. I let myself fully experience this difference between the past and the present.

When something hits the ceiling upstairs and makes a noise, I look at the ceiling and take deep breaths, relax all over, imagine the scenes of being beaten in the past, and suggest to myself that the past is over. Even though it's close, the space beyond the ceiling is my own, and I am very safe now. Also, I tell myself that people are not as bad as I think. Everyone always hopes to get along with others peacefully. And imagine God is by my side, God's power fills me, I am very strong.

To let positive thoughts enter my subconscious mind, I made a goal list according to my situation:

"Li Bingyang, you are healthy, happy, intelligent, capable, and very lucky. Your work is smooth, and your body is slim.

You accept and appreciate yourself.

You own a duplex and are a very successful investor.

Li Bingyang, the past is in the past. Now, you are very safe, relaxed, and pleased. You have a correct, solid, and strong self, and you easily concentrate on what you're doing, confidently work, study, live, and sleep. You succeed in everything you do, with a bright and boundless future.

Li Bingyang, you are proactive, optimistic, and confident.

You have a spirit of participation and the mindset of a master.

You appreciate, praise, and encourage people.

You care for and look after people.

You create a relaxed, leisurely, and warm atmosphere.

You enjoy the present and affirm it.

You focus on the essentials and let go of perfection.

You remain calm in times of stress and busyness.

You think calmly when angry. You are able to face misunderstandings and stay silent.

You listen to others' speeches.

You instinctively interact with people and handle affairs with an objective, tolerant, understanding, and optimistic attitude.”

Based on this list, I made a cassette tape, which I would play when I went to bed. Using this list as a reference, I would observe my thoughts and behaviors, record any negativity for correction. Here are two notes I wrote during that time.

"Recently, my nanny said she would be going home, so I had to hire a new one. However, a hint of unease swept across my mind when considering this. The next day at work, I saw its shadow again. I instantly recognized it as a hidden enemy, traced it back to the deep layers of my subconscious, and dragged it into daylight for annihilation. My current situation is that my child has grown up and hiring a nanny is easier. But my subconscious is not relieved that the difficult period of caring for a young child has passed, but rather starts to worry that if I have another child, hiring a nanny would be hard. My subconscious is negatively dark and horrifying.

I continued to dig deep into the root of this fear and found a strong sense of insecurity. I always worry about the future and try to pursue a sense of security. Therefore, I always want to prepare for the worst possible situation in the future, hoping it would alleviate the pressure and tension when it really happens.

This kind of thinking manifests in my daily behavior. For example, when I copy documents, I like to make extra copies in case someone needs one, to avoid duplicate work. Secondly, I always like to deal with things in advance, like doing my duties earlier. I always start writing the political and business articles that are required to be submitted in advance, but actually, dealing with things ahead of time wastes a lot of effort and time. For instance, duties are often dropped later. Thirdly, I always want to learn business in advance, like preparing for the business I might encounter in City C when I was still in FD. I made notes and collected materials for a potential accounting position before I officially left the cashier's job. But in reality, I didn't use these preparations at all and never went to those positions. Fourthly, I always want to save good things for later use, like good notebooks, bowls, chopsticks, microwaves, etc.

To eradicate this kind of thinking and completely cure these problems, I need to have an optimistic and confident mindset that there is always a way, and I can deal with whatever comes. I should believe in my ability to cope with anything in the future, worry not about the future, but focus on the present."

"Tonight, I went with Youran (Note: Youran is my son, who was about two years old. Due to my ex-husband's affair, we were divorced. That day, I went to pick up my son and ran into my ex-husband, who had already picked up my son. My ex-husband was going to play badminton, and my son wanted to go with him, so I had to go along to take care of my son) to watch my ex-husband play badminton. Youran and I sat on a bench to watch. After a while, a woman said to You Ran, "Kid, get up. Auntie's feet are sore. Let Auntie sit." This woman was obviously rude. She said it several times, and Youran was at a loss. My inferiority complex acted up, and my first reaction was that the seat belonged to others and I had no part in it, so I also asked Youran to stand up. I was very upset afterwards because my inferiority complex is too strong, and my reaction was slow. I could have said with a smile, "Could you find another seat, please?" Or teach Youran to say, "Auntie wants to sit, but Youran also wants to sit. Auntie, please find another seat." From this small incident, it's clear that my inferiority complex is still very severe, so I need to completely eliminate it and fully accept myself.

First of all, I need to respect myself deep down, and like myself. When entering high-consumption places, such as hotels, restaurants, high-end entertainment venues, firstly, I feel inferior because I can't afford it, and secondly, because I don't or rarely go in, I'm unfamiliar and feel inferior. Actually, as long as we dare to face the fact that we can't afford it or are not familiar because we don't or rarely go in, we won't be afraid of others' mockery and will feel calm.

An effective way to eliminate inferiority is to face oneself, accept oneself, face reality, and accept reality. We must never evade reality. The attempt to evade reality is the root of inferiority. When we stand on the ground of reality, there is no room for inferiority.

Of course, the self and reality that need to be faced and acknowledged mentioned above are the ones we perceive as weak and at a disadvantage. Sometimes it's not the case, but because we are too inferior."

After battling my phobia in every way possible for more than half a year, my fear temporarily retreated. However, it didn't take long for it to resurface. Therefore, I decided to buy a top-floor apartment for my new home. When buying the new house, I prioritized peace and quiet and paid special attention to ensure that the bedrooms didn't share a wall with neighbors.

Later, I moved into my new home which was exceptionally quiet. I spent the first three months very calmly. However, one day after three months, I suddenly began to fear a sound again, and the sound that I chose to fear this time left me speechless because it wasn't noise at all. The environment in the new house was so quiet, and because I lived on the top floor, and the construction quality of the house was pretty good, the sound was a very faint noise transmitted from the building walls. If you didn't get close to the wall and listen attentively, you couldn't hear it at all. But still, it kidnapped my attention and emotions as always. I was helpless. I don't know how long it took, but the symptoms disappeared naturally.

Not long after, one morning at five, I was abruptly awakened by the noise of machinery from below. I quickly discovered the source of the noise. It turned out to be a bread processing shop on the ground floor. The noise was indeed annoying. I was tormented to the point where I ran to a sponge factory, carried a large stack of sponges, and filled all the hollow parts of my bed. But it didn't solve my fear of this noise. This situation continued until many years later when the shop changed owners and switched business.

Time flew, and it's been ten years since I moved into the new house. The mixed commercial and residential community where I live has become exceptionally prosperous and noisy. Many of my downstairs neighbors couldn't stand the noise and sold their houses. Some shops and mobile vendors often used loudspeakers to hawk their goods, and my phobia shifted its object of fear to them. However, perhaps I was very different from before. After the tempering of a lonely single-parent family for twenty years, I became very independent and stronger than before. My phobia also showed new characteristics. It didn't occur year-round but often chose to occur in winter. After many years of observation and analysis, I realized that this was because I kept the air conditioner on in the summer and autumn. The white noise from the air conditioner seemed to have a calming effect on me.

I also found that before I choose a sound to fear, I often already have a sense of inexplicable fear. It's a fear without any object. Then I would focus on finding the sound of fear. When the fearful sound appears, my heartbeat would noticeably accelerate. I felt like I was out of breath and had an instinctive reaction to escape from that sound. I knew about music therapy early on, but I never tried it. I decided to give it a try, so I bought all the records available on the market that could potentially relieve stress and tension, and I listened to them one by one, experiencing and observing my own reactions, especially when I felt fear and tension. After a period of exploration, I found that all possible music therapies were ineffective for me.

Although all the therapies I've tried over the decades — counseling therapy, hypnotherapy, desensitization therapy, imagery therapy, Morita therapy, and music therapy — have all failed, I found that the anxious emotions during my phobia episodes have been diminishing year by year, and the duration is also shortening. I think this is largely due to the cultivation of my independent personality and the rebuilding of my self.

In the early years of my life, due to living under my mother's abuse and control, my independent personality was not cultivated and established. In order to survive, I unconsciously dissolved myself and became attached to my mother's personality. The consequences of losing myself were obviously very serious. For instance, when my mother showed me her red and swollen joints (as she had rheumatoid arthritis), I felt a bit panicked, a bit embarrassed, and a bit at a loss. The panic came from the unexpectedness that my mother would present her pain to me as a separate entity, so I was taken aback the first time I was treated this way. The embarrassment stemmed from my common sense telling me that my normal instinctual emotional response should be sympathy or heartache, and maybe offering some comfort. However, the reality was that I had no feeling for her pain, I felt that her pain had nothing to do with me. I "knew" this was entirely wrong, because she is my mother, and I should feel her pain. But my emotions had no reaction, I did not have the connection with her that I should have had. I knew this was wrong, but those were my feelings, and I could not control my true inner emotions. All my emotional reactions were focused on the fact that I had lost the normal emotional response, so I felt a bit at a loss.

In response to my mother's strong control, I subconsciously saw myself as an accessory of my mother. This was reflected in an event when I went to university, my mother, in order to save transportation costs, arranged through distant relatives for me to take a free ride. That distant relative was a ticket seller. Since it was a long-distance bus that took nine to ten hours, I had to stop for lunch in the middle of the journey. The ticket seller arranged for me to have a free lunch with the driver. I took their bus for two semesters. It wasn't until the second time when the ticket-selling distant relative reminded me to say thank you to the driver that I realized that I had never thanked any of them. Because I thought they were friends of my mother, and had nothing to do with me, my mother's dealing and greeting with them was on my behalf. I am my mother's child, I don't need to repeat what my mother has already done. I was completely unaware that in the eyes of others, I am an independent person and I must express my independent emotions to others.

The same scenario occurred after I graduated from university. Once when I was returning home from work, I ran into the son of my nanny at the entrance of the hospital. Of course, I recognized him at a glance, but I hesitated whether to greet him or not. Although I knew very well that I had lived with them until I was three years old, and called him mom and dad along with him, and he surely treated me like a real sister, but I thought that was my mother's relationship with them, and it was a money relationship that had nothing to do with me. So in the end, I didn't greet him. Not only that, even if I often serve very familiar clients, I wouldn't greet them after work because I think that's my job and has nothing to do with me. Not only do I treat others like this, I also view others in the same way. During university, there were a few times when I went out with a good classmate and someone greeted us. I thought they were greeting my classmate who was with me, so I ignored it. Then my classmate asked me why I didn't respond to the classmate's greeting. I said he was greeting you, not me. This happened several times until I heard some classmates complaining that I was very arrogant and wouldn't respond to people's greetings, then I realized there was a problem with me. Because subconsciously, I would assume that all kindness was not targeted at me, I would actively block others' kindness, even towards God. I would never believe that Jesus gave his life for me. I always felt that there were so many people, and he gave his life for others. Unconsciously, I also brought this sense of being an accessory into my marriage relationship. When my ex-husband discussed the wedding date with me, I was surprised because I thought he should have the final say. Later I found out that my father was also a person without self. For example, once he heard that my son was going to country A, he was very happy and said he would come to see my son immediately. But soon he called me and said he was not coming because he told my sister. My sister told him that my son would come back anyway, so there was no hurry to see him, so my dad listened to my sister. I think not only my family members, but also most people in country G lack a complete and independent self-esteem system, because the so-called face-saving is living for others, which is to position oneself and determine one's value by external evaluation, fundamentally it is the loss of an independent personality.

The cultivation of my independent personality and the rebuilding of self began after my divorce. After the divorce, I was completely alone, facing the whole world without anyone to rely on except God. The rebuilding process was long and difficult. I started from several aspects, first of all, objectively re-recognizing and evaluating myself. For example, I know that my slow reaction, dislike of change, and easy fatigue when going out have a biological basis. I'm introverted, and my physiological "set point" determined by my genes is more inclined to the state of being alone. In other words, the parts of me that I'm not satisfied with are determined by my innate physiological functions. That's God's domain, and as a creation, I have no reason to feel inferior because of this. If I feel inferior for this, it's an insult to God's work, meaning I think God's work is not good enough.

I consciously appreciate the diversity of God's creation. When I went to the Great Barrier Reef in Australia and saw a variety of corals, I realized that God was showing me the diversity of His creation, thereby helping me to accept and appreciate different types of people. When I saw the mangroves growing in the sea, I once again experienced the significance of this diversity. The foundation of diversity is uniqueness, and this uniqueness is for adapting to different environments. I clearly understood that this was brainwashing myself, but I believe that this brainwashing is extremely important.

Secondly, I strive to discover and pursue what I love, fulfilling these desires as much as possible. When I have free time, I hunt for flower pots, buying the flowers I like, seeking and purchasing stones I love. I look for the paintings I adore in shops, exhibitions, and online. Some I purchase, others I hang up, and some I turn into photographs, buying various frames to match with them. I collect and appreciate music that I find pleasing, listening to it repeatedly until I feel satisfied. I appreciate architecture I like online or during physical travels. I study clothing that suits me best and frequently customize them to enhance my sense of style. This is because my attire has always been one of the sources of my inferiority complex.

Growing up, we didn't have a mirror at home, and during high school, my mother often made me wear her clothes. This situation only improved when a teacher (a colleague of my mother's) reminded her not to keep making me wear her clothes. Because I was fat since childhood and did not know how to dress, I was always extremely self-conscious about my appearance, always considering myself ugly and rustic. In college, I once tried to resist my mother due to clothes, but failed. Many of the clothes I wore were handmade by her and appeared quite old-fashioned. Perhaps because my image was so poor, even though I was working in a remote countryside at the time, there were customers who asked where I got my hair cut, saying it was too ugly. At that time, my hair was cut by a neighbor (a dentist) whom my mother had asked for help. Later, I spent 40 cents (about 10 cents in US dollars) to get a haircut at a barber shop at my workplace, and for this, I was scolded by my mother for half a month.

Due to the influence of my family, until my forties or fifties, I didn't care much about my attire and always thought it was difficult to buy clothes because I wasn't good-looking. After my forties or fifties, I started studying art and had a lot of time to shop. Through a complete change in diet, I successfully lost weight and maintained a standard weight. It was only then that I realized how wrong my previous concept of myself was. Firstly, I discovered that I shouldn't have been overweight, as it was completely due to a wrong diet concept that made me fat. I've always hated rice since I was young, finding it hard to swallow, but thought that everyone had to eat rice at every meal. I had to eat a large amount of high-fat, high-salt dishes to pair with rice.

I remember in college, in order to swallow 100 grams of rice, I once spent two hours for a meal. For forty or fifty years, I never thought of the option: If I can't eat rice, then I won't eat rice. It wasn't until my forties or fifties when I frequently traveled abroad and saw foreigners living well while eating things I didn't think were palatable, did I start to rethink whether I could change my diet. Embracing this philosophy, I managed to reduce my weight to the standard weight in two years. Then I thought that since I was already at the standard weight, clothes should be easy to buy and should look beautiful when worn, but in the end, I found out that there wasn't much difference.

Later, I did become fashionable because I learned a lot of art, gained confidence, spent a lot of time shopping, and studied the reasons for my own dressing. While researching my attire, I discovered how wrong my previous views on my body were. First of all, I have naturally thick and curly hair, which I've always complained was hard to manage. It wasn't until later that I realized this was actually a great advantage of mine, because as long as I let my hair grow a little longer, it would form a uniquely beautiful hairstyle. Secondly, I used to feel very inferior about my full chest, always thinking it was too ugly and too shameful. It wasn't until later that I discovered that this was also a very good advantage of mine, because it gives my figure beautiful curves, and in the past, I always tried to flatten my chest because no one ever told me what beauty was in my life.

Furthermore, I had almost perfect skin when I was young, and my eyebrows didn't need any makeup, plus I had sexy lips and neat, white teeth before the car accident. My goodness, due to family concepts, it took me forty or fifty years to realize that I was a natural beauty when I was young. If someone had taught me how to eat healthily and how to dress up, I shouldn't have felt inferior about my figure and appearance for forty or fifty years.

I believe that learning art is extremely important. Firstly, it helps you discover yourself and gain confidence. Of course, the type of learning I'm talking about is different from what parents in country G encourage, which involves having children learn sketching or hiring teachers for children's drawings or watercolor painting. They believe that's learning, but in my view, it's simply learning a craft, which isn't much different from learning to cook. The purpose of my learning art is to improve my art appreciation skills and become a top-tier connoisseur. My method is to learn the entire history of Western art, then try to learn the stories behind every famous painting, visit museums, view exhibitions, watch Hollywood blockbusters, and see famous buildings in Europe.

In this way, over the years, my art appreciation skills have greatly improved. I've developed my aesthetic taste and established my aesthetic standards. Due to the individualized features of art, it has allowed me to gradually discover my preferences in the process of aesthetic appreciation. The nourishment provided by art has allowed these preferences to be well satisfied. The once lonely and weak self gradually becomes stronger with the support of a large number of art works that can generate consensus, and it also finds the most suitable attire for my body style. Especially the various forms of contemporary art, it completely destroyed my original mindset, and expanded my thinking boundaries. Why do I say this? Because I feel that my childhood thinking was infinitely diffusing and unrestricted, later forcefully pressed into a thin straight line by my mother and the culture of country G. Contemporary art has re-released my thinking because it strives to create and affirm various possibilities. I believe that the existence of contemporary art is to better help humanity accept the diversity created by God. It teaches us to respect others better, and to more relaxedly cultivate children according to their nature. Of course, this is a general statement about contemporary art. In terms of my daily aesthetics, my specific approach is that when I see a Hollywood blockbuster I like, I will watch it two to four times. When I see pictures I like online, I will download them, even print them into photos, and look at them over and over again until I feel that I have completely absorbed their nutrients. When it comes to good music, I do the same. I will listen to it repeatedly until I get tired of the melody. I will also try to immerse myself in praising God with my favorite hymns, something I wouldn't have done before because I subconsciously felt it was a waste of time. Now I think praising God is a very important thing. It will never be a waste of time because if God really exists, praising him is a super important thing. This is the purpose of his creation. From a realistic point of view, people in country G curry favor with leaders and superiors for their extra care. The entire world was created by God. Sucking up to the Creator is the most effective thing.

The third way to establish self and cultivate one's independent personality is to make decisions and bear the consequences after evaluating and weighing the pros and cons. For example, when renting out a house, I often choose to reduce rental income in order to lessen the frequency of tenant changes, saving time and energy. When raising my son, I choose to support him not attending various tutoring classes for the sake of his happiness. The most important thing about doing this is to have the courage to bear the consequences.

With the rebuilding of my independent personality, Lady Luck finally visited my life and I accidentally discovered a simple and effective internet photo-editing therapy. Thanks to this therapy, I completely healed my obsessive-compulsive disorder, ending the history of my emotions, thoughts, and attention being hijacked and controlled by an invisible force for over 30 years. In the third part of this article, I will detail the process of its discovery and the details and functions of the healing graphics production.

Part 3: The Cure for Obsessive-Compulsive Disorder: Creating Empowering Images

October 10, 2015, is a very important day in my life. On this day, my phobia acted up again. I named the uncontrollable consciousness in my life "Mo Ran Yan". "Mo" stands for desert, because I love deserts. "Ran" stands for nature, because I adore nature. "Yan" stands for rock, as I have a fondness for stones. Then I wrote down the following words to converse with it.

"Dear Mo Ran Yan, it's time to communicate with you. I am very clear about your real existence. We share a body. Although you are usually silent, if I argue with you, I will definitely be the loser, because your power is strong and I cannot fight you. You are very timid, have no sense of security, feel lonely, and are full of fear and hatred for this world. I don't know where you come from, why you targeted me. I know you are full of power and connected to the source of this world. Recently, I have been trying to understand you because you have ruled half of my life. Over the decades, you have tortured me terribly because of your fear of sound. Mo Ran Yan, I have been doing my best to protect you, can you please not be so timid anymore? You know, I also feel so helpless and sad. This morning you were again afraid of the shouting of the vegetable vendors downstairs. Last night, you smelled the urine stench in the corridor, and you felt hurt again. Yes, the environment here is not good. I am already selling the house. We are just temporarily living here. You don't need to be afraid anymore, okay? Please don't miss the shopping convenience here. Please communicate with the source of the world and let us close the deal quickly. I know you mean to wait for the house on Zhongshan Road to be sold first because you like order. But I think we can't do that. If someone wants the 3.6 million, we should sell immediately because selling a house is about seizing the opportunity. Now that the economic prospects of country G are so bleak, we must seize the opportunity.

In recent years, I finally understood that choosing a husband is your pick, not mine. Your standard is handsome appearance and straightforward communication. My standard is to be on the same wavelength as me, and our views and understanding of things should generally be consistent. I already know that the decision to choose a husband is in your hands, not mine. What surprises me is that how can your standards match my life Bazi. Who are you, after all? I will try my best to use painting to let you express yourself."

Then I took out the watercolor pens and paper a merchant friend had gifted me and began an unprecedented attempt. I placed the paper on the table, relaxed my mind as much as possible, and sincerely spoke to Mo Ran Yan in my heart and mouth, "Tell me who you are," "Tell me who you are." At the same time, I picked up the brush, dipped in various colors, and randomly scribbled on the paper. "Who Are You 1" is my attempt.

October 10, 2015, is a very important day in my life. On this day, my phobia acted up again. I named the uncontrollable consciousness in my life "Mo Ran Yan". "Mo" stands for desert, because I love deserts. "Ran" stands for nature, because I adore nature. "Yan" stands for rock, as I have a fondness for stones. Then I wrote down the following words to converse with it.

"Dear Mo Ran Yan, it's time to communicate with you. I am very clear about your real existence. We share a body. Although you are usually silent, if I argue with you, I will definitely be the loser, because your power is strong and I cannot fight you. You are very timid, have no sense of security, feel lonely, and are full of fear and hatred for this world. I don't know where you come from, why you targeted me. I know you are full of power and connected to the source of this world. Recently, I have been trying to understand you because you have ruled half of my life. Over the decades, you have tortured me terribly because of your fear of sound. Mo Ran Yan, I have been doing my best to protect you, can you please not be so timid anymore? You know, I also feel so helpless and sad. This morning you were again afraid of the shouting of the vegetable vendors downstairs. Last night, you smelled the urine stench in the corridor, and you felt hurt again. Yes, the environment here is not good. I am already selling the house. We are just temporarily living here. You don't need to be afraid anymore, okay? Please don't miss the shopping convenience here. Please communicate with the source of the world and let us close the deal quickly. I know you mean to wait for the house on Zhongshan Road to be sold first because you like order. But I think we can't do that. If someone wants the 3.6 million, we should sell immediately because selling a house is about seizing the opportunity. Now that the economic prospects of country G are so bleak, we must seize the opportunity.

In recent years, I finally understood that choosing a husband is your pick, not mine. Your standard is handsome appearance and straightforward communication. My standard is to be on the same wavelength as me, and our views and understanding of things should generally be consistent. I already know that the decision to choose a husband is in your hands, not mine. What surprises me is that how can your standards match my life Bazi. Who are you, after all? I will try my best to use painting to let you express yourself."

Then I took out the watercolor pens and paper a merchant friend had gifted me and began an unprecedented attempt. I placed the paper on the table, relaxed my mind as much as possible, and sincerely spoke to Mo Ran Yan in my heart and mouth, "Tell me who you are," "Tell me who you are." At the same time, I picked up the brush, dipped in various colors, and randomly scribbled on the paper. "Who Are You 1" is my attempt. Half an hour passed, and I found nothing. I turned the paper over and continued to doodle. At this time, a light blue circle appeared, with several arrows shooting towards this circle. I felt that it was her (picture "Who Are You 2"). Then I switched to another page and clearly drew that picture, which is "Found It" this painting. The light blue circle is Mo Ran Yan. The background is pitch black. Due to a lack of materials, I didn't paint the whole background black. Then many arrows shot at her. When the image appeared, I was very surprised because my favorite color is light blue, and my favorite shape is a circle. All kinds of vases in my house are round, because anything symmetrical and round has an irresistible attraction to me, and I just want to buy it home. Later, I started thinking about how I could help Mo Ran Yan. Initially, I thought I could change the background to white and shoot the arrows outwards, but it didn't feel quite right. So I started looking up various circular images online, hoping to find a solution. Finally, I found a picture of a burning sun. I colored the core of the sun in the light blue of Mo Ran Yan. This way, the burning flames around it would protect her from outside harm. Then I processed the picture on the computer, printed out the photo, and placed it on the table to see the effect. But later I thought it was not quite right because the background was black (Picture "Primitive Sun"). Then I used the eraser tool in Windows's built-in Paint program to gradually erase the black background, which became this picture "Sun 2". I had it printed as a photo and looked at it for a long time. I felt that the protection of the flames was not enough, and my software skills were so bad that the flames around were both red and black, looking like it was gnawed by a dog, so I decided to abandon it. So I continued to look for pictures, and then I found this picture "Soul in Armor 1". Because I didn't save the original picture, I forgot what it looked like. I used the Windows built-in Paint software to change the color of the circle in the original picture to the color of Mo Ran Yan. Because I don't know how to use any painting software at all, it took me several hours just to change this circle. After modifying the picture, as usual, I had it printed out, placed it on the table and looked at it for several months. When I looked at the picture, I felt very peaceful, so I decided to use this picture as a healing image. I picked a frame online that matched the picture very well, framed it, and hung it at the head of my bed. At the same time, I pasted this picture in conspicuous places such as the bedroom door and the kitchen. A year later, I felt that the frequency of my fear attacks had significantly reduced, and I was seldom anxious. I think this is a very good omen, so I began my journey of image healing.

October 10, 2015, is a very important day in my life. On this day, my phobia acted up again. I named the uncontrollable consciousness in my life "Mo Ran Yan". "Mo" stands for desert, because I love deserts. "Ran" stands for nature, because I adore nature. "Yan" stands for rock, as I have a fondness for stones. Then I wrote down the following words to converse with it.

"Dear Mo Ran Yan, it's time to communicate with you. I am very clear about your real existence. We share a body. Although you are usually silent, if I argue with you, I will definitely be the loser, because your power is strong and I cannot fight you. You are very timid, have no sense of security, feel lonely, and are full of fear and hatred for this world. I don't know where you come from, why you targeted me. I know you are full of power and connected to the source of this world. Recently, I have been trying to understand you because you have ruled half of my life. Over the decades, you have tortured me terribly because of your fear of sound. Mo Ran Yan, I have been doing my best to protect you, can you please not be so timid anymore? You know, I also feel so helpless and sad. This morning you were again afraid of the shouting of the vegetable vendors downstairs. Last night, you smelled the urine stench in the corridor, and you felt hurt again. Yes, the environment here is not good. I am already selling the house. We are just temporarily living here. You don't need to be afraid anymore, okay? Please don't miss the shopping convenience here. Please communicate with the source of the world and let us close the deal quickly. I know you mean to wait for the house on Zhongshan Road to be sold first because you like order. But I think we can't do that. If someone wants the 3.6 million, we should sell immediately because selling a house is about seizing the opportunity. Now that the economic prospects of country G are so bleak, we must seize the opportunity.

In recent years, I finally understood that choosing a husband is your pick, not mine. Your standard is handsome appearance and straightforward communication. My standard is to be on the same wavelength as me, and our views and understanding of things should generally be consistent. I already know that the decision to choose a husband is in your hands, not mine. What surprises me is that how can your standards match my life Bazi. Who are you, after all? I will try my best to use painting to let you express yourself."

Then I took out the watercolor pens and paper a merchant friend had gifted me and began an unprecedented attempt. I placed the paper on the table, relaxed my mind as much as possible, and sincerely spoke to Mo Ran Yan in my heart and mouth, "Tell me who you are," "Tell me who you are." At the same time, I picked up the brush, dipped in various colors, and randomly scribbled on the paper. "Who Are You 1" is my attempt. Half an hour passed, and I found nothing. I turned the paper over and continued to doodle. At this time, a light blue circle appeared, with several arrows shooting towards this circle. I felt that it was her (picture "Who Are You 2"). Then I switched to another page and clearly drew that picture, which is "Found It" this painting. The light blue circle is Mo Ran Yan. The background is pitch black. Due to a lack of materials, I didn't paint the whole background black. Then many arrows shot at her. When the image appeared, I was very surprised because my favorite color is light blue, and my favorite shape is a circle. All kinds of vases in my house are round, because anything symmetrical and round has an irresistible attraction to me, and I just want to buy it home. Later, I started thinking about how I could help Mo Ran Yan. Initially, I thought I could change the background to white and shoot the arrows outwards, but it didn't feel quite right. So I started looking up various circular images online, hoping to find a solution. Finally, I found a picture of a burning sun. I colored the core of the sun in the light blue of Mo Ran Yan. This way, the burning flames around it would protect her from outside harm. Then I processed the picture on the computer, printed out the photo, and placed it on the table to see the effect. But later I thought it was not quite right because the background was black (Picture "Primitive Sun"). Then I used the eraser tool in Windows's built-in Paint program to gradually erase the black background, which became this picture "Sun 2". I had it printed as a photo and looked at it for a long time. I felt that the protection of the flames was not enough, and my software skills were so bad that the flames around were both red and black, looking like it was gnawed by a dog, so I decided to abandon it. So I continued to look for pictures, and then I found this picture "Soul in Armor 1". Because I didn't save the original picture, I forgot what it looked like. I used the Windows built-in Paint software to change the color of the circle in the original picture to the color of Mo Ran Yan. Because I don't know how to use any painting software at all, it took me several hours just to change this circle. After modifying the picture, as usual, I had it printed out, placed it on the table and looked at it for several months. When I looked at the picture, I felt very peaceful, so I decided to use this picture as a healing image. I picked a frame online that matched the picture very well, framed it, and hung it at the head of my bed. At the same time, I pasted this picture in conspicuous places such as the bedroom door and the kitchen. A year later, I felt that the frequency of my fear attacks had significantly reduced, and I was seldom anxious. I think this is a very good omen, so I began my journey of image healing.

October 10, 2015, is a very important day in my life. On this day, my phobia acted up again. I named the uncontrollable consciousness in my life "Mo Ran Yan". "Mo" stands for desert, because I love deserts. "Ran" stands for nature, because I adore nature. "Yan" stands for rock, as I have a fondness for stones. Then I wrote down the following words to converse with it.

"Dear Mo Ran Yan, it's time to communicate with you. I am very clear about your real existence. We share a body. Although you are usually silent, if I argue with you, I will definitely be the loser, because your power is strong and I cannot fight you. You are very timid, have no sense of security, feel lonely, and are full of fear and hatred for this world. I don't know where you come from, why you targeted me. I know you are full of power and connected to the source of this world. Recently, I have been trying to understand you because you have ruled half of my life. Over the decades, you have tortured me terribly because of your fear of sound. Mo Ran Yan, I have been doing my best to protect you, can you please not be so timid anymore? You know, I also feel so helpless and sad. This morning you were again afraid of the shouting of the vegetable vendors downstairs. Last night, you smelled the urine stench in the corridor, and you felt hurt again. Yes, the environment here is not good. I am already selling the house. We are just temporarily living here. You don't need to be afraid anymore, okay? Please don't miss the shopping convenience here. Please communicate with the source of the world and let us close the deal quickly. I know you mean to wait for the house on Zhongshan Road to be sold first because you like order. But I think we can't do that. If someone wants the 3.6 million, we should sell immediately because selling a house is about seizing the opportunity. Now that the economic prospects of country G are so bleak, we must seize the opportunity.

In recent years, I finally understood that choosing a husband is your pick, not mine. Your standard is handsome appearance and straightforward communication. My standard is to be on the same wavelength as me, and our views and understanding of things should generally be consistent. I already know that the decision to choose a husband is in your hands, not mine. What surprises me is that how can your standards match my life Bazi. Who are you, after all? I will try my best to use painting to let you express yourself."

Then I took out the watercolor pens and paper a merchant friend had gifted me and began an unprecedented attempt. I placed the paper on the table, relaxed my mind as much as possible, and sincerely spoke to Mo Ran Yan in my heart and mouth, "Tell me who you are," "Tell me who you are." At the same time, I picked up the brush, dipped in various colors, and randomly scribbled on the paper. "Who Are You 1" is my attempt. Half an hour passed, and I found nothing. I turned the paper over and continued to doodle. At this time, a light blue circle appeared, with several arrows shooting towards this circle. I felt that it was her (picture "Who Are You 2"). Then I switched to another page and clearly drew that picture, which is "Found It" this painting. The light blue circle is Mo Ran Yan. The background is pitch black. Due to a lack of materials, I didn't paint the whole background black. Then many arrows shot at her. When the image appeared, I was very surprised because my favorite color is light blue, and my favorite shape is a circle. All kinds of vases in my house are round, because anything symmetrical and round has an irresistible attraction to me, and I just want to buy it home. Later, I started thinking about how I could help Mo Ran Yan. Initially, I thought I could change the background to white and shoot the arrows outwards, but it didn't feel quite right. So I started looking up various circular images online, hoping to find a solution. Finally, I found a picture of a burning sun. I colored the core of the sun in the light blue of Mo Ran Yan. This way, the burning flames around it would protect her from outside harm. Then I processed the picture on the computer, printed out the photo, and placed it on the table to see the effect. But later I thought it was not quite right because the background was black (Picture "Primitive Sun"). Then I used the eraser tool in Windows's built-in Paint program to gradually erase the black background, which became this picture "Sun 2". I had it printed as a photo and looked at it for a long time. I felt that the protection of the flames was not enough, and my software skills were so bad that the flames around were both red and black, looking like it was gnawed by a dog, so I decided to abandon it. So I continued to look for pictures, and then I found this picture "Soul in Armor 1". Because I didn't save the original picture, I forgot what it looked like. I used the Windows built-in Paint software to change the color of the circle in the original picture to the color of Mo Ran Yan. Because I don't know how to use any painting software at all, it took me several hours just to change this circle. After modifying the picture, as usual, I had it printed out, placed it on the table and looked at it for several months. When I looked at the picture, I felt very peaceful, so I decided to use this picture as a healing image. I picked a frame online that matched the picture very well, framed it, and hung it at the head of my bed. At the same time, I pasted this picture in conspicuous places such as the bedroom door and the kitchen. A year later, I felt that the frequency of my fear attacks had significantly reduced, and I was seldom anxious. I think this is a very good omen, so I began my journey of image healing.

Who Are You 1

Who Are You 2

Found It

Primitive Sun

Sun 2

Soul in Armor 1

I selected images related to the sun from the Internet and changed the color of the sun in the middle to the color of Mo Ran Yan, then experienced the reaction of Mo Ran Yan. For the picture "Red Line Sun", my feeling was that the energy of Mo Ran Yan was leaking out along the lines outside, making me weaker and weaker, and if I looked for too long, I might even fall ill, so I discarded this one.

For "Red Background Sun", the brilliance of the sun outside in this image was all twisted, reminding me of the curved fingers of the fierce and evil spirits in the temple, so I discarded it.

For "Cartoon", I printed this as a photo and tested it in my bedroom for a few days, but felt it was too cartoonish and without therapeutic effects, so I discarded it.

For "Big Heart Sun", the light blue circle was too big, it felt discordant when looked at, so I discarded it.

For "Planet 1", at first glance, I felt Mo Ran Yan was going to be hit by the small stone on the left, so I discarded it.

For "Too Long", I discarded this one because I felt the spikes around it were too long, indicating weak protective power. In the end, I chose three, namely "Glowing Sun", "Energy Belt", and "Grey Sun", the reason being that the light around "Glowing Sun" and "Energy Belt" clearly looked full of energy, and I wanted to make Mo Ran Yan feel that it had been protected by positive energy. I also chose "Grey Sun" because it also had something similar to an energy circle, which I thought might have protective power, so I made all three into healing images.

On the sides of "Glowing Sun" and "Energy Belt", I added the angelic song from the New Testament of the Bible at the birth of Jesus Christ, namely "Glory to God in the highest, and on earth peace to those on whom his favor rests." I often add these two lines of text to the sides of my healing images to express my praise to God.

Red Line Sun

Red Background Sun

Cartoon

Big Heart Sun

Planet 1

Too Long

Glowing Sun

Energy Belt

Grey Sun

About this, let me briefly explain the reason, which is the issue of my relationship with God. I experienced two major car accidents in 1991. During the second car accident, I had a near-death experience which convinced me of the existence of the human soul. To ensure a good place for my soul after death, I made a deal with God that if he let me live, I would worship him. Although I was in the intensive care unit of the hospital for a week before recovery, on the morning of the third day, I knew I wouldn't die, even though I couldn't move a single finger at that time.

After recovery, I kept my promise, and I would go to church almost every week to worship God. But I still couldn't find peace, I couldn't confirm that my soul was saved. Even though I had undergone a formal baptism, I always felt that God was just a very distant, high and mighty tyrant, holding a fly swatter in his hand, ready to slap disobedient human beings at any time. Nonetheless, out of fear of hell, I still tried hard to participate in various gatherings, until due to two months of severe, continuous, and incurable insomnia, I was forced to resign from my very detested bank job and became a laid-off female worker. I tried various businesses, but every time I was obstructed by God in a very obvious way, which made me very desperate. Being a single-parent family, I was all alone (I left home in the early morning of December 5, 1989, because I couldn't stand my mother's humiliation anymore, and completely broke off with my original family. I chose to divorce in 1997 because my ex-husband had an affair.) I was isolated and helpless, I needed to support my family, and the desperate situation surrounded by enemies made me have a big argument with God, and finally made me have deep doubts about the real existence of God. In order to find the traces of God's existence, I plunged headlong into the esoteric study of country G, and after about a year of hard study, my skills in divination and fortune-telling should have surpassed most of the quacks on the market at that time, because I really don't believe that the average quack can read and understand the profound, complex, and obscure books that I think are huge, let alone understand their true meanings, after all, I am a person who reads "The History of Western Philosophy" and "Contemporary Western Philosophy" with great relish.

Indeed, the esoteric study of country G did help me regain a bit of faith in the real existence of God. Then, due to watching a series of World War II documentaries with my son, especially the five Middle Eastern wars, it restored my faith in God. Finding him (God) in real life through decades of prayer has always been the theme of my prayers. After reconciling with God, I no longer go to church for worship, nor do I participate in any form of gatherings, but I will pray with a friend who has lived with me for many years. Even though the God we worship at this time is still the God recorded in the Bible, it is quite different from the God in the churches of country G, because our God is the source of all good things in three-dimensional space, such as health, wealth, intelligence, youth, beauty, good luck, etc., is the power of our actions, and is the mentor of our life and learning. Our primary quest has always been to believe that he is a loving and powerful God.

The regained God indeed brought me a sense of peace and made me deeply feel that praising God is the duty of being human and a very noble thing. Of course, the gratitude and praise I'm talking about is completely heartfelt, it is not a means of transaction, while beautiful things like peace, joy, health, wealth, wisdom, etc. are byproducts of humans sincerely thanking and praising God, and a natural result of getting closer to God.

These are the two insights I wrote down on October 18 and 19, 2015, respectively.

"October 18, 2015
The food we are fed as children, we grow to love, and the same goes for language. This shows the strong plasticity of human organs. If we are exposed to low-quality things every day, we will be influenced by them. The same goes for noble things. Over time, we will become a part of the things that influence us, so it's crucial to choose what we see, hear, and speak about. In this sense, we should indeed spend more time reading scriptures and praying.

The strange stones, plants, and paintings I buy should all serve a function: they should evoke in me feelings of praise for God because they all speak of God's glory. I buy them to display in my house, and when I see them, I think of God's great power, offering my thanks and praise. I thank God for letting me possess them, and I praise Him for His wonderful creations."

"October 19, 2015
Today, I saw a shared article in my friend's circle, suggesting not to criticize others. There are many articles aiming to improve people's moral quality, but I find that they all overlook one point: human beings cannot naturally practice virtues by their own strength. We all know worrying is not beneficial, but we unconsciously worry anyway. We know getting angry doesn't benefit us, but we can't control ourselves. This is why I don't like Buddhism. I believe it exaggerates the power of human nature, wrongly assuming that people can save themselves. From the intrigue and infighting among historical figures in Buddhism, it's clear that this is unachievable. Due to human's original sin, the subconscious and conscious are separated. We humans truly need God's salvation and the power of the Holy Spirit. I grew up in a constantly depreciating environment, so I'm filled with negative emotions about everything around me. I think using "don'ts" and "prohibitions," these negative and restrictive methods, it's difficult to achieve a positive result from double negatives. My approach is to replace negatives with affirmatives, replace negative things with positive ones, like learning to feel God's greatness from beautiful things, sincerely giving thanks and praise, and then moving from objects to people, realizing that people are also God's creations and everyone has their lovely qualities. From this, I develop a perspective that recognizes people's strengths, making it a habit in my life to always keep my eyes on beautiful things. For instance, I spent last night appreciating an MV because of its beautiful melody, the singer's sweet voice which can be called heavenly, its retro elegance, relaxed rhythm, concise and compact video editing, and the performer's beautiful attire, figure, and appearance. Even the handsome accompaniment was attractive. The singer's voice reminded me of the wonderful talents God has given to humans. Her curvy figure and beautiful face made me appreciate the fleeting and precious nature of youth. The high-quality production of the MV made me feel the power of professionalism. I offer my gratitude to God for being able to witness such beautiful things.”

The two short pieces above quite adequately express some of my values. This is why I often add words of praise to my therapeutic images.

In the picture "Gray Sun", the phrases on both sides read "I am safe and strong, I am one with the force that created me." I copied this sentence from the internet, thinking it might be effective in convincing Mo Ran Yan , so I added it to both sides of the picture. Moreover, I tried to embed this sentence directly into a planet that is roughly the same color as Mo Ran Yan , namely, "Blue Ball".

While trying these methods, in an attempt to cheer up Mo Ran Yan , I also created two photos, "Smile1" and "Smile2". However, all these experiments ended in failure. As soon as "Smile1" and "Smile2" were developed, they were rejected because nothing can appear in the light blue circle representing Mo Ran Yan . If anything appears, it is no longer Mo Ran Yan . Moreover, time has proved that "Glowing Sun", "Energy Belt", and "Gray Sun" are not therapeutic, and "Blue Ball" is even less so.

Later, I tried another method. I had a friend who is proficient in drawing software create the picture "Circle". In it, Mo Ran Yan is surrounded by various circles and is amongst many similar objects, all different circles. My intention for this image was to prevent Mo Ran Yan from feeling lonely, as it is surrounded by similar, harmless peers without edges or angles. But as soon as this image was created, it was rejected by Mo Ran Yan

Blue Ball

Smile1

Smile2

Circle

My consistent approach to experimental images is: if it is determined that they have no therapeutic effect, they will be immediately removed from the walls and desktops. Thus, from the beginning of 2016 when I created "Soul in Armor 1" (here I should explain, I have a habit of recording significant events and feelings that I think are valuable, but I don't keep a daily diary. So, as for when "Soul in Armor 1" was created, since there are no records to trace, I can only estimate the rough time based on my memory. Why wasn't such an important event recorded? Thinking back, it was probably because I had no idea this image would have a therapeutic effect. I was merely trying a last-ditch effort, as decades had passed and each new therapy I tried was filled with hope but ultimately ended in disappointment. So, I didn't have high expectations for art therapy.) until April 7, 2017, this image was not replaced by any other. Below is the record I wrote on April 7, 2017:

"Today, as I looked at "Soul in Armor 1", sitting on the balcony taking deep breaths, and listening to the horn sounds from the shops below that have been chosen as sources of fear, I felt I wouldn't want to escape anymore. It seems I've freed myself from the shackles of this noise. I seem to have demoted it to a normal sound. At this moment, I saw the ornamental plants placed in the corridor of the kindergarten building on the right, and the shrubs planted in foam boxes on the roof of the building on the left. Everything around me suddenly became beautiful.

I was moved to tears. The lonely little girl in the mountain wilderness cemetery finally found her home. She could return."

In my memory, the fear episode on April 7, 2017, occurred about half a year after the last one, which is a low frequency in my life. After April 7, 2017, I could find no more records of being controlled.

Following the diary entry on April 7, 2017, there is a record for April 10, 2017, which reads: "Today, she (Note: referring to Mo Ran Yan ) seems to be very concerned about the low-frequency vibration of the sound from the dance hall downstairs. I stared at the picture again, and it worked well."

Here, I will introduce my method of looking at pictures. I found that when I focus my gaze and attention on the iron-like thorns in the picture in my hand, I feel a sense of protection and my body relaxes. However, at this time, the picture in my hand has been changed to "Soul in Armor 1-1", because the lace in the thorns of "Soul in Armor 1" feels a bit like lace, greatly weakening the protective power. So, I changed it to the form of "Soul in Armor 1-1". But "Soul in Armor 1" has always remained on the wall because it's too much trouble to remove it. Also, I always thought that "Soul in Armor 1-1", although strong enough in terms of protection, is too ugly, so I later changed it to "Soul in Armor 1-2". "Soul in Armor 1-2" has never gone to the battlefield because my emotions and attention have never been controlled again. By "never been controlled", I don't mean that I am completely immune to noise. Sometimes I still hate certain sounds very much. But this discomfort only occurs when the sound is actually present. As long as I don't hear that sound, I instantly become a 100% normal person. The previous situation was that as long as Mo Ran Yan grasped a sound she feared, regardless of whether the sound appeared or not, she would always be in a state of extreme tension, fear, and anxiety. This is detailed in the second part of this article. Here is the diary entry for May 5, 2017:

"The night before last, I heard the sound of the discount sales promotion from the downstairs mall that Mo Ran Yan used to fear. I went to the balcony to check the source of the sound, which was coming from the side of the building in front of me that faces the road. That was not within the range of fear chosen by Mo Ran Yan , but because it was exactly the same as the sound Mo Ran Yan chose to fear — it was a recording by the same person, and the volume was even louder than the sound within the chosen range of fear. After listening to it, I still felt my heart rate increase and a sense of breathlessness, but there was no sense of worry."

The next record related to the sound is from June 7, 2017, which reads: "Today, it seems like she caught onto the singing from the shop downstairs that goes on from morning till night, but there was no fear, just a strong dislike. I decided to try and draw a picture symbolizing killing people to see its effect, and hence I'm not delving into theories." (Note: In residential areas, playing loud music outside stores all day long is also not allowed in G country. However, G country's laws are often just empty words.)

Thus, I began searching the internet for images that I could photoshop into pictures. When searching for images, I have to feel my emotional reaction to each picture. As the picture does not target a specific person, I chose cartoon images. I found a junior high school girl named Yunin, whose parent is my friend and is good at using drawing software. Per my request, she made four pictures: "Attack1", "Attack2", "Attack3", and "Attack4". When she was drawing, I sat next to her because I needed to feel if the position of the arrows in the pictures was appropriate. Since they needed to have an aggressive aspect, they couldn't be too open or too dense. The sense of speed of the arrows is also important. If I felt the speed was not fast enough or lacked strength, I would have her redraw it. Additionally, the angle of the arrows matters, as they need to appear sharp or else they won't seem combative. When the pictures were finished, I eliminated "Attack4" because it was just a head, lacking representative value. "Attack1" represented those people who often shouted loudly with megaphones downstairs. "Attack2" represented merchants who play vulgar music loudly all day. "Attack3" represented vendors who loudly promote sales. After the pictures were finished, I still printed them out and put them on the photo rack on the table to observe the response of Mo Ran Yan . I did this for about half a year and concluded that it had no effect.

Soul in Armor 1

Soul in Armor 1-1

Soul in Armor 1-2

Attack1

Attack2

Attack3

Attack4

At that time, I wrote a short text as an explanation, which set a general direction for my future healing pictures. The text is as follows:

"If someone slaps you on the right cheek, turn to them the other cheek also." This scripture is quite famous (Matthew 5:39), but it has caused great misunderstanding. The focus should be on "Do not resist an evil person" (Matthew 5:39), and the last sentence, "Be perfect, therefore, as your heavenly Father is perfect" (Matthew 5:48).

Firstly, this teaches people not to confront negative energy. Confrontation first consumes one's own energy, and it also increases negative energy. The attention of people carries energy, the more intense the resistance, the greater the energy of the opponent. The confrontation requires forces from both sides; if one side's force disappears, the confrontation will disappear. For example, if someone likes to argue, the more you argue with them, the more excited they become. If you ignore them, they can't start an argument. It's the same with quarrels. Previously, because the crime rate in New York was high, the police commissioner used a hard-line approach to keep an eye on everyone with a criminal record, but the crime rate did not decrease. Later, a new commissioner gave turkeys to everyone with a criminal record during Thanksgiving, and so the crime rate dropped significantly after a few years. This is the data cited by the author of "Outliers".

Secondly, and most importantly, what runs through the entire Bible is the idea of tirelessly improving oneself, becoming very strong, and allowing one's positive force to far exceed the force of evil. This is the premise of the Bible's teaching of overcoming evil with good. Jesus said, "Be perfect, therefore, as your heavenly Father is perfect". The Heavenly Father, i.e., Jehovah, is the God who created everything in the world and is omnipotent. He wants us to elevate ourselves to have great power like the Heavenly Father, and then, with this power, to love and forgive our enemies."

I probably started self-studying Western art history around 2014 or 2015. By 2017, I was utterly fascinated. But as stated at the end of the second part of this blog post, I didn't study painting, but appreciation.
"I believe that every person is their own artist, and art activities can be divided into two parts: searching and creating. The act of selecting and buying artworks is a process of searching. In this regard, any items that can satisfy an individual's emotional needs are, to those who need them, artworks. For example, the small stones the size of a thumb that I picked up from the beach in Santorini, Greece, are my artworks. They were the product of a volcanic eruption and it's rumored that this eruption was the cause of the mysterious disappearance of the prehistoric civilization of Atlantis. These small stones remind me of the beautiful scenery of Santorini and the power of the volcanic eruption. They trigger my imagination about Atlantis and sighs about the rise and fall of earth civilizations. They allow my soul to break through the limitations of reality and fly through the ancient space-time, drawing strength from the bygone era to deal with all the trivia and helplessness in reality. Of course, a large part of the artworks are created by humans. Each of us can create our own artworks according to our needs. As long as we can feel our own emotional needs and express them truthfully and perfectly, then that item is an artwork. However, there are situations where we have a strong emotional need but lack the conditions, such as time or skills, to express it. That's when professional artists come into play. People can search for artworks in the art market that resonate with them, because these artists express their emotional needs for them, and make them feel that they are not alone on earth. If a professional artist's emotional needs coincide with a rich person's, then the artist's work can sell for a good price. But from the point of satisfying people's spiritual needs, there is no high or low, noble or humble in artworks. As long as it can trigger people's strong resonance and effectively fill the void, it is a good work. From ancient times to the present, the essence of art is a tool for healing. People use it to heal injured souls and fill the spiritual void, so it is a necessity for mankind rather than a luxury. Because first of all, we are sinners with inherent defects. And during our growth process, the equally imperfect environment leaves various scars on us. Those of us who are full of bumps and holes have a strong intrinsic need to "fill the holes", and art is born in response to this need. It heals the wounds of the soul by satisfying spiritual needs. Although each of us has wounds of different depths and shapes, because humans are homogeneous, many people have similar types of wounds. If one person's artistic tool can perfectly repair their own wounds, it can to a large extent also perfectly repair similar wounds. Perfect repair comes from truthful perception and accurate expression of the wounds, so it must come from the heart and be true to oneself. "

The above viewpoints are my insights into art one day (the date is not recorded) when I woke up. I often have various insights into things when I wake up in the morning, and it seems as if these insights are revelations from a high-dimensional space. So whenever I have time, I try to record them.

Because I love Western art so much, I spend at least ten to thirty days each year traveling to Europe. My main purpose is to visit museums and churches. For example, I looked at the exterior of Milan Cathedral for three hours and still felt that it was far from enough. My plan is to first tour the major cities in Europe with a group, and then choose cities with a lot of artworks for free travel to study more deeply. "I believe that artworks are the external manifestations of an artist's skills, intelligence, and spirit. Through the act of creating works, these traits are transformed into a kind of invisible energy, stored in the works. Artworks are the carriers of an artist's talent, containing the essence of the artist's life, which is the essence of human culture. By confronting the work, opening up myself, and immersing myself in the work, I feel that the work is radiating energy. I receive the artistic essence and uplifting spiritual power hidden in the work through this flowing energy. This receiving process is a bit like downloading on a computer; it takes time. When I feel that I have finished downloading, that I have received the information the author wants to convey, and absorbed the essence of the work, I feel that I have completed the task. I believe that this type of learning is the most direct and effective. It is a subconscious communication, a dialogue of souls.

Every time I appreciate an artwork that moves me, I feel a sense of fulfillment. I feel as if I'm filled with energy, charged up, with all the functions of my body being activated. I sincerely thank and praise God.

In fact, the people of the ancient G country discovered this secret long ago. This is the theory of Feng Shui in G country. The essence of Feng Shui is to take advantage of and avoid disadvantages through the selection of environment. Because you exchange materials and receive energy through what you see and the surrounding environment. In this sense, the world cultural heritages seen in tourism are all top-notch mascots. Feeling the human civilization with a humble attitude can significantly elevate your own level. I believe this will also bring unexpected good luck to myself. "

The text in quotes above was my feeling after a trip to Europe. I really enjoyed the direct communication with artworks. Once Monet's works were exhibited in a big city in G country, I heard the news and flew there. About twenty to thirty pieces of work were on display, and I spent three days soaking in the work from opening to closing. In front of important paintings, I would sit for several hours. By the third day when I was about to leave, I could already feel the painter's mood when painting. So I shared my feelings one by one with my friends who accompanied me. Just after I finished sharing, a professional explainer came with a team and gave a detailed explanation of each painting to the team members. The painter's mood during creation explained by the explainer was exactly the same as the information I just shared with my friends. It might be due to the deliberate training for myself for a long time, coupled with my extremely bad living environment in my early years, I seem to have evolved a special ability unconsciously, I am particularly sensitive to the positive or negative energy contained in artworks and even the surrounding environment.

The white lines that look a bit like lightning in the two paintings "Experiment 1" and "Experiment 2" below are what hit me a few years ago when I was watching a sci-fi American drama. I've forgotten the name of the drama, the line was a background picture, I felt that this line contained huge energy, so I took a screenshot and washed the screenshot into a huge photo, then I cut out this line with scissors and put it in various scenes to see the effect, that is, to see how Mo Ran Yan feels about this line. "Experiment 1" and "Experiment 2" are two photos left from the experiment at that time. The reason for using such a primitive method to cut out the image is because I don't know how to use software to do it. In the experiment, I feel that Mo Ran Yan still likes this line, so I waited until the aforementioned middle school student named Yun Ning had a holiday, and asked her to help make the following "Powerful Protection". Because Yun Ning's software application level was not high enough at that time, the lightning line in "Powerful Protection" is actually asymmetrical. Since the target audience for my picture is only Mo Ran Yan , I feel it's fine as long as Mo Ran Yan doesn't mind. The difficulty in making "Powerful Protection" lies in "Soul in Armor" (for convenience of description, hereinafter referred to as Soul Picture), that is, the position of the Soul Picture in the lightning line. Because if it's moved up a bit, Mo Ran Yan feels like being thrown out, insecure; if it's moved down a bit, Mo Ran Yan feels like being strangled. So I have to sit aside and feel and find the most suitable position. The next step is to choose the color of the lightning line. Yu Ning uses all colors from deep to light for me to feel. Because the color of the Soul Picture is too difficult to match with the color of the lightning line, in order to coordinate as much as possible, I have to choose the lesser of two evils, and choose the deep blue I don't like. The purpose of my making this picture is to further strengthen Mo Ran Yan sense of security. Because the lightning line has a very domineering energy, it can provide more powerful protection for Mo Ran Yan , and make Mo Ran Yan feel more relaxed. After framing this picture, I hung it on the wall opposite the bedroom door and the bed for many years, but I didn't feel any practical effect.

The first reason I guess is probably because Mo Ran Yan disliked the color of the lightning line in "Great Protection," so this picture has been significantly improved afterwards, and I will detail this point later. The second reason is that when I made this picture, my phobia was basically cured. At this time, making energy pictures has become a hobby of mine. The purpose is to allow me to completely relax and live a happier and better life. The picture above, "God Blessing," was taken when I was visiting Germany. One day, while strolling with a friend on a large bridge in Frankfurt, we saw a church on the other side of the bridge. I suggested to my friend that we go and visit, because whenever I go to Europe, I make it a habit to visit the interiors of any churches we see and pray. It was a church that was not lavishly decorated. Inside the church, I saw this mural of "God Blessing." I was a bit moved, so I casually took a photo with my phone. Because my photography skills are average, the photo was a bit crooked. When I was sorting out the photos at home, I thought if I put a picture of myself under the light of Jesus' hand, it would definitely make Mo Ran Yan feel at peace. So, I started to pick a photo, found one where the person was relatively small, used the old method to cut the person out with scissors, and then used double-sided tape to stick it on the picture of Jesus. I left it like this for a few months, and Mo Ran Yan felt good about it, so I took the opportunity when Yu Ning (the child mentioned earlier) was on vacation, to have Yu Ning help me photoshop it into the "God Blessing" picture. The key point for me in this picture is the position of the person. Yu Ning used the mouse to move the person around, and I had to feel the person's experience in different positions of the Jesus picture. The next point was the handling of light, which is directional. I must feel that the light is coming from Jesus' hand and shining on my entire body. After the picture was photoshopped, I was very satisfied, although I knew that it would be better if I were barefoot. But because I live alone, it's not so easy to find someone to take pictures, and I don't like taking photos anyway, so I just settled for it. In addition, the picture of Jesus was a bit crooked, and Yun Ning wanted to correct it, but I was afraid that the proportions would be out of balance, so I didn't let her adjust it. After this "God Blessing" picture was finished, I put it on my computer desktop, on the refrigerator door, and on the wall of the kitchen. I also posted one next to my daily work computer. I feel that this picture has brought me a great effect. I feel that I am guided and blessed by God in every aspect of my life.

Experiment 1

Experiment 2

Powerful Protection

Soul in Armor

God Blessing

Because I often get harassed by various ads when I read articles on my computer, what I particularly hate are those small moving ads, because they easily attract my attention. So this gave me an idea. If I made the energy pictures into moving pictures, would the effect be very good? I began to search for various moving pictures on the Internet. Later, I found a website where I could pay for the legal use rights. I bought the following five pictures, namely Dynamic Energy 1, Dynamic Energy 2, Dynamic Energy 3, Dynamic Energy 4, and Dynamic Energy 5. I spent a long time selecting these moving pictures because it's not common to find those that give a feeling of energy flowing into oneself or concentrating on oneself. Then I bought a selfie tool online to take a few photos of myself, paid for a graphic designer online to help me cut out the photos and put them into the moving pictures. This was a leap in my production of energy pictures. I finally realized that I could pay for people to composite pictures online. The difficult part was that it was hard to explain my requirements clearly. After these moving pictures were completed, I bought a frame online that could play moving pictures. The frame was really bad, with low resolution and refresh rate. Because I couldn't find a better one, I just settled for it. I also tried to turn my iPad into a digital frame to play those dynamic energy pictures, but I asked two very good computer repair masters, and they couldn't turn my iPad into a digital frame. So I used that poor quality digital frame for a year. It didn't seem to have any effect. The overall experience was that "Dynamic Energy 1" was the best, and "Dynamic Energy 5" was the worst. Because the body in the middle was too bright, and the portrait was too large and not processed at all, making it look older than me at that time. Actually, this is a taboo in energy pictures. Energy pictures must make oneself look more beautiful, not uglier. Another feeling is that yellow light is better than blue light. The player broke down after a year, and I never used these pictures again.

Dynamic Energy 1

Dynamic Energy 2

Dynamic Energy 3

Dynamic Energy 4

Dynamic Energy 5

The series of "Mandelbrot Set 1", "Mandelbrot Set 2", "Mandelbrot Set 3", "Mandelbrot Set 4", "Mandelbrot Set 5", and "Mandelbrot Set 6" are the geometric figures that I came across while reading "Deep Simplicity" by the British author John Gribbin. I was astonished by such beautiful geometric figures in three-dimensional space, which I believe are the fingerprints of God, a testament to His existence. This stirred an urge in me to create energy diagrams once again.

Mandelbrot Set 1

Mandelbrot Set 2

Mandelbrot Set 3

Mandelbrot Set 4

Mandelbrot Set 5

Mandelbrot Set 6

At this time, I had two favorite images that I didn't know how to display. One was a wisp of white smoke in "Mandelbrot Set 1", originating from an online picture illustrating the trail left in the sky after a rocket launch. The wisp of white smoke amidst the black, white, and blue tones of the image seemed to me like the human spirit, embodying a force that rises upwards.

Another image in "Mandelbrot Set 2" captured the moment of an explosion during a failed rocket launch. The energy-filled fireball, like a budding flower, evoked in me a sense of tragic beauty. The rocket, as a symbol of high-tech human achievement, experiences failures that are an all too common part of this field of technology, and this encapsulates human perseverance. Pairing these two rocket images with the Mandelbrot sets combines the exploration of human free will and the mysterious wisdom of God.

Following my instructions, an online graphic designer merged these images into "Mandelbrot Set 1" and "Mandelbrot Set 2". I found the results to be stunning, though I was not a fan of the deep blue background in "Mandelbrot Set 1". Because I thought the set images were so beautiful, I chose two of my favorite landscape photos for the designer to incorporate into "Mandelbrot Set 3" and "Mandelbrot Set 4".However, due to a mismatch in proportions, the small sphere above the set in each image had to reuse the picture from the larger sphere below. Though I didn't notice this detail at first, after a while, I found it somewhat bizarre as they didn't seem to be part of the same entity. So, when I later learned to use the software, I revised "Mandelbrot Set 3" and "Mandelbrot Set 4" myself, making the landscape photos appear as one.Feeling a sense of unity is crucial to me, perhaps because my phobia manifests as a sense of separation between mind and body. Therefore, in my home, the pairing of picture and frame is meticulously chosen; a favorite image of mine would absolutely not be hung without a perfectly matching frame. This is because I vaguely perceive the frame to represent my physical body and the image to represent my consciousness. Art serves as my therapy, and the perfect match between frame and painting is also a form of therapy for me.

The content of "Mandelbrot Set 3" and "Mandelbrot Set 4" are stunning earthly landscapes, chosen to please my eyes and to praise God. Later, I came across the image in "Mandelbrot Set 5" online. I found the flower in it so beautiful that I had the graphic designer combine it into "Mandelbrot Set 5". This piece is one of my favorites as I love flowers instinctively, perhaps because I see them as a positive energy symbol. The process of growing a flower made me realize that only when a plant is in its best growing condition can it bloom beautifully. The timing and location for a plant to bloom are also crucial. In my view, a flower is one of the manifestations of health and harmony in three-dimensional space. That's why you can find flowers everywhere in my later energy diagrams.

"Mandelbrot Set 6" is my favorite energy diagram in the Mandelbrot set series. I stumbled upon it, so I've always regarded it as a gift from God. I never thought the flower image would combine well with the set image. I originally planned to add text directly to the flower image, but the designer misunderstood and thought I wanted it within the set image, so they produced it as such.

In this series, I eventually discarded "Mandelbrot Set 1". I had used the image as my computer screen saver and was startled one night when I saw it from my balcony. The image within the set was black, and I found I was particularly scared of the color black in images, as it often morphs into all sorts of scary creatures in my imagination. Since childhood, I've had a knack for imaginative transformations; clouds in the sky would often transform into various animals in my mind. This strong ability to imagine images has brought quite a few challenges to my creation of energy diagrams. Almost all images involving black had to be altered in the end, or they would transform into things I didn't like. The abandonment of "Mandelbrot Set 1" taught me a lesson: the production effect of energy diagrams should be based mainly on direct sensory perception, with the meaning added by conscious thought playing a negligible role in energy diagrams.

The image "Universe Energy 1" was an illustration from an online article. I found its portrayal of cosmic energy incredibly vivid, so I asked the graphic designer to adapt it into an energy image for me. My intention was to let Mo Ran Yan feel as if all the energy of the world was flowing into her. But once the graphic designer delivered the image, I immediately felt it wasn't right. It felt as if I was about to fall into a deep pit; I didn't have a sense of security. So, I cropped it into "Universe Energy 2". Later, I still felt uneasy, as if I was about to fall into a pit again, so I reluctantly cropped it into an unconventional size for my typical photos, "Universe Energy 3". Not long after I had the photo developed, I noticed that the darker section in the top left corner would morph into a beast ready to pounce on me when viewed from a distance. As a result, I had to revise it into "Universe Energy 4".

Soon, it was 2020. I had originally planned to travel to Northern Europe or visit Israel to worship God after winter, then head to Northern California to escape the heat in summer. However, the arrival of COVID-19 forced me to stay home for the entire year. Watching TV series became an essential leisure activity for me. But due to the scarcity of American TV series in G country, I ran out of things to watch in just one or two months. Perhaps God felt pity for me, as I surprisingly developed a taste for animations, which I initially disliked. I even found the 3D animations in G country tolerable. This opened up a new world for my energy images. The animation series I liked in G country were mostly action-packed martial arts series, which often contained a lot of energy-expressing scenes. For instance, the image "Absorbing Energy 1" came from a G country animation. This image was also created with the help of a graphic designer. The purpose of this image was to make Mo Ran Yan feel wrapped up in rising energy, as if she was absorbing the energy. By this time, I had mastered many functions of the drawing software. The composite image made by the graphic designer felt stiff. I didn't feel as if I was in the light at all. So, I made many modifications to make it look like I was in the light. To beautify myself, I added flowers and plants to my clothes. I duplicated myself to make three identical people with the aim of making Mo Ran Yan feel less alone. This resulted in "Absorbing Energy 1-1".

Universe Energy 1

Universe Energy 2

Universe Energy 3

Universe Energy 4

Absorbing Energy 1

Absorbing Energy 1-1

"White Light Energy 1" is an image that I completely synthesized myself. First, I beautified my own selfie, then asked the graphic designer to cut out the image, and then I put it in the light myself. In order to make it look like I was in the white light, I kept trying to make modifications until I was satisfied, then I had it developed into a photo, and put it on the table to start experiencing Mo Ran Yan feelings. Whenever I found something that could be improved, I would make further modifications. For instance, "White Light Energy 1" originally had no scenery on both sides, but I found it too monotonous, so I cropped another image, added scenery to both sides, and thought that my great work was done. But soon, I felt that the scene made me feel like I was in the ancient times of G country. This made me uncomfortable, because I instinctively despise almost everything symbolically related to G country's culture. So I started to modify the scenery on both sides again. God knew that I was looking for images and sent me an article introducing ancient Western herbal drawings. I found the image on the upper left of "White Light Energy 2" and the image on the right from the illustrations in the article. The image at the bottom left is from a painting by the British artist Josephine. The first time I saw Josephine's painting was in an article's illustration. I really liked that painting because I felt it contained positive energy, so I planned to develop it into a photo for energy image appreciation. But the image quality was too low, so I had to search the internet for a clearer version. Only then did I discover a large number of paintings by Josephine. I was very excited, thinking that it was God leading me to this artist's paintings. For many years, I've been looking for paintings by artists with positive energy. If I come across potentially positive energy artworks, I would develop them all into photos and start to feel them. The reason why I always develop paintings into photos is because the same painting, if presented on different mediums, can sometimes elicit very different responses. According to my experience, this happens about 20%-30% of the time. But before I saw Josephine's paintings, I hadn't found any paintings that met my requirements. That day, I searched nearly all of Josephine's paintings available on the G country internet. I tried to find links where I could buy high-resolution images, but I couldn't find any. Eventually, I found some for sale online at a very low price. As I had never bought digital paintings online before, it took me nearly three hours to download all the paintings. After opening the folder, I realized that these paintings were probably downloaded from the internet because the resolution was very low. But they were already more than enough for me as I usually develop six-inch photos. I also tried to buy an original imported art book of Josephine online, but I found the price to be too cheap. I simply couldn't believe that it could be authentic, so I gave up. The night I downloaded Josephine's paintings, when I was washing dishes in the kitchen, I suddenly felt an unprecedentedly warm and joyful feeling. I followed that feeling and found that the location was England. I tried hard to find any connection to England, but couldn't find any. I hardly know anyone in England, and the only thing related to England that day was talking to a friend about how the chances of finding a job in England are very small if their child goes there to study. Another thing was downloading Josephine's paintings. Because the feeling that day was so mysterious, it's another unsolved mystery for me. I really like the colors in Josephine's paintings because they make me feel very joyful. Even though I know that the colors I see may not be the colors of the original work, I also appreciate the infinite possibilities contained in her surrealist compositions, as if they allow me to feel the positive energy of the universe. Because of this joyful and mysterious feeling, I later turned many of Josephine's paintings into materials for my energy image production, which I will introduce in detail later.

Now let's return to "White Light Energy 2". The white light in this series comes from 3D animation in country G. The light is white, which is different from the usual yellow light that represents energy, so I wanted to experiment with the feeling of placing myself in this white light to see if it's any different. Furthermore, this white light is directional, it is upward, conveying a kind of uplifting force. I really like "White Light Energy 2". Later, I found some strange mystical plants and fairy flowers in the animation of country G that I liked, and I put them in the background of my "White Light Energy 3". The same main image with different backgrounds is because I want to know the feelings of Mo Ran Yan in different environments. I think the most difficult person to get along with in the world is oneself, that is, one's subconscious or inner child. If you can figure yourself out, you can figure everything out. These energy images are the language I communicate with myself. This language must have two features, first, the discourse is something the child likes to hear, that is, the composition, color tone, and overall aesthetic of the picture should suit her taste. Second, the content is what I want to convey to her, that is, she is very safe, very powerful, full of positive energy.

White Light Energy 1

White Light Energy 2

White Light Energy 3

The background of "Energy Absorption 2" also comes from the 3D animation of country G, but the graphics have all been beautified by me. In this image, I placed two of my selves in the two yellow beams of light that came down from the sky, that is, the two "me" are illuminated by the positive energy beams from the sky. At first, I made a big and a small person, but later I felt the smaller me was too ugly, so I copied a bigger me, so the second "me" has a halo on its head. I put two of me in there, also to make Mo Ran Yan not feel lonely.

"Energy Absorption 3", the background comes from the 3D animation of country G, and the tree in the picture is also an energy-filled tree. I merge myself with the energy tree, also to let Mo Ran Yan directly absorb the positive energy.

"Energy Absorption 4" also comes from the 3D animation of country G, it's the same as me placing myself in the energy tree to absorb positive energy, just that this absorption process is more visually obvious.

"Energy Absorption 5" also comes from the 3D animation of country G. This picture is a composite of several pictures. Because the drawing software I use is simple and dummy-type, it took me a lot of effort to put this picture together. I placed myself in a triangular energy group, the larger bottom and smaller top of the triangle also provided an upward force. I was very satisfied with this picture when it was just finished, but later I felt that the background color was too monotonous, so it was moved from the bathroom door to a secluded place in the kitchen.

The angel in "Energy Absorption 5-1" was added later. The inspiration came from an illustration in an article, this article specifically introduces oil paintings of the birth of Jesus. I asked the designer to cut out several angels from the illustrations in this article and add them to several of my already finished images, this is just one of them. I feel these angels have all added positive energy to my finished artworks, so I am very satisfied.

"Energy Absorption 6" and "Energy Absorption 6-1", also come from the 3D animation of country G. The way these two images express the absorption of energy is the most straightforward and clear. I really like these two images. Of course, I did a lot of embellishment on the image, but because the embellishment points are slightly different, I like them both, so I kept them both. These two pictures were respectively posted on my refrigerator door and above the bathroom sink. All these energy-absorbing images are for Mo Ran Yan to believe that it is healthy, full of energy, and has good luck.

Energy Absorption 2

Energy Absorption 3

Energy Absorption 4

Energy Absorption 5

Energy Absorption 5-1

Energy Absorption 6

Energy Absorption 6-1

In "Dynamic Protection 1", the lines that look a bit like petals are decorations on the forehead of an animated character. When I first saw it, I felt this line has a kind of protective power. This protective power is more gentle and flexible than the lines in "Powerful Protection", so I asked the designer to help me create "Dynamic Protection 1". But this picture is too blurry, I paid double the fee to have it smoothed. "Dynamic Protection 2" is the image that the designer submitted the second time, but the distance between the lines in this picture is too large, I can't feel the protective power at all. Later, I directly switched to another designer to make "Dynamic Protection 3", the lines in this picture are too blurry, so I asked to make "Dynamic Protection 4",the lines in this picture are not very smooth either, but because it is the fourth one, I settled for it. I ask the designer to do the photo editing because I still haven't learned how to edit photos. The software I use is too primitive, it doesn't have many functions, but because I think there won't be many energy images that need editing, I haven't learned the photoshop software.

"After having the 'Dynamic Protection 4' printed into a photo, I soon found it too monotonous, so I added some decorative pictures to the four corners, resulting in Dynamic Protection 5, Dynamic Protection 5-1, and Dynamic Protection 5-2. However, not long after, I felt that the 'soul in armor' image inside was too small. Therefore, I asked the designer to directly cut out the lines, and I assembled them into Dynamic Protection 6 and Dynamic Protection 6-1. However, I still found both images not pretty enough, so I used Josephine's painting as a background and edited it into Dynamic Protection 7. But later, I felt this image was not harmonious enough, so I added a sharp angle on the oval white image, resulting in Dynamic Protection 8. I was quite satisfied when this image was finished as the white figure showed an upward force. Although the symmetry was broken after adding the sharp angle, and the image in the middle was too high, I had to make do with it due to my limited skills. Later, I found the background image of Dynamic Protection 9 in an anime. I was very interested in the energy manifestation in the background, so I edited it into this image. After the image was finished, I felt it was too empty around it, so I added some images to the corners and made it into Dynamic Protection 9-1. However, when the image was printed into a photo, I immediately felt that the map showing the continent around the image had a strong downward pulling force. And a downward pull is a big taboo for my energy images. An important purpose of making my energy images is to give Mo Ran Yan a thriving upward force. Therefore, I tried to change the direction of these maps, making them an upward pull, resulting in Dynamic Protection 9-2 Later, I felt that the image was not pretty enough and evolved them into Dynamic Protection 9-3 and Dynamic Protection9-4. I was very satisfied with Dynamic Protection 9-4, so I pasted it on the wall on the left side of the kitchen sink.

Dynamic Protection 1

Dynamic Protection 2

Dynamic Protection 3

Dynamic Protection 4

Dynamic Protection 5

Dynamic Protection 5-1

Dynamic Protection 5-2

Dynamic Protection 6

Dynamic Protection 6-1

Dynamic Protection 7

Dynamic Protection 8

Dynamic Protection 9

Dynamic Protection 9-1

Dynamic Protection 9-2

Dynamic Protection 9-3

Dynamic Protection 9-4

The background of Dynamic Protection 10 also comes from G country's anime. However, the whole image is composed of three animes, and I have made major modifications to the image to make it the way I want. Dynamic Protection 10-1 and Dynamic Protection 10-2 are evolved from the previous image. I did this to give Mojing Rock multiple options.

When I was making Dynamic Protection 11, my software skills had greatly improved. I can arbitrarily splice many images together. At this time, I also had many paintings by Josephine to use as materials. Thus, I made a series of paintings such as Dynamic Protection 12, Dynamic Protection 13, Dynamic Protection 14, Dynamic Protection 15, and Dynamic Protection 16. The background materials of these paintings all come from Josephine's paintings. However, transforming these paintings took me a lot of effort. For every stroke I made in the picture, I had to observe and feel whether it was coordinated with the whole picture. If not, I had to undo it and redraw it immediately. After the whole picture was edited, I had to experience it again. If it was not good, I had to delete it and start over. And I had to extend the experience time, for example, feel it today, tomorrow, and the day after tomorrow. If I felt it was okay, I would take it to be developed into a photo. After the photo was developed, some pictures that did not feel good had to be eliminated immediately. Then, the remaining pictures had to be put on the desktop for repeated comparison and feeling. After a while, some pictures that didn't feel relatively good had to be deleted and thrown away, and some had to be further modified. Because these are all energy images I made for Mo Ran Yan, there can't be any discomfort or misleading.

Dynamic Protection 10

Dynamic Protection 10-1

Dynamic Protection 10-2

Dynamic Protection 11

Dynamic Protection 12

Dynamic Protection 13

Dynamic Protection 14

Dynamic Protection 15

Dynamic Protection 16

The fancy lines in Dual Protection 2 come from an anime background. They are part of a decorative painting on a wall. Their placement is not conspicuous, and it is incomplete. Therefore, I only had the designer cut out half of it, and I combined the other half myself. I spent a lot of time assembling these fancy lines. The main problem was finding the optimal distance between the lines on both sides, as well as the precision of the tilt of the lines. I believe these lines were sent to me by God, as I always felt that the lower half of the 'Powerful Protection' image I mentioned before was missing something. I kept trying to add things, but none felt appropriate. However, as soon as I put these fancy lines on, I felt it was a perfect match. Also, I feel that the energy embodied in the lightning lines of 'Powerful Protection' is indeed too hard and too domineering. These fancy lines not only balance the feeling of the picture being top-heavy, but the soft aura they emit can greatly buffer the hardness and domineering nature of the lightning lines. Moreover, these fancy lines also contain the power of protection, thus providing double protection for the 'soul in armor'."

"Dual Protection 1 was created specifically for an oval picture frame hanging on the wall next to the bedroom door. The oval frame was originally for 'Powerful Protection'. I sought this frame to disguise the monotony of 'Powerful Protection'. When I was adding the fancy lines to 'Powerful Protection', I accidentally found that a filter could make the lightning lines in 'Powerful Protection' very elegant and comfortable, a significant change from the previous deep blue that was tacky and glaring. So I underwent a massive renovation, removing all the deep blue lightning lines and replacing them with light blue double-sided lines. When I had this picture printed, I found that the blue in the soul picture in 'Dual Protection 1' had faded. This light blue is representative of the Indifferent Rock and is immutable. So I took out the original image of 'Found It' from many years ago, and compared it. I found that the faded tone was closer to the color in 'Found It', which pleased me greatly. The faded light blue added a hint of violet, making it more elegant. If it were placed in the background image, it would be more harmonious. But this led me to a question: what is the exact color of Mo Ran Yan? Even the light blue in the most original 'Soul in Armor 1' was far from the original image of 'Found It'. At that time, I didn't know how to adjust the color using software and used the available light blue, which would change depending on the images it was paired with when printed. Therefore, I concluded that the light blue representing Mo Ran Yan is a broad color, meaning, as long as this light blue is not too different from the light blue in 'Found It', it is acceptable. Because of these significant discoveries, and since I have many paintings by Josephine, I decided to carry out a massive upgrade and replacement of the two most basic energy pictures at home, leading to Soul in Armor 2, Soul in Armor 2-1, Soul in Armor 3, Soul in Armor 4, Soul in Armor 5, Soul in Armor 6, Soul in Armor 7, Soul in Armor 8, Soul in Armor 9, and Soul in Armor 10.From the beginning of creating 'Soul in Armor 1', my concept was to let Mo Ran Yan start to change its view of itself. It is not exposed directly to the environment without any protection. It is always armored. It and the armor are one, regardless of the environment, it is never exposed. Even now, as I write this, the thought of the naked light blue circular image still gives me a strong sense of unease. Therefore, the 'Soul in Armor' image has become the most core image among all my healing images. In the 'Soul in Armor' series, I want to specially introduce a discarded image, "Discarded 2". This image is the same background as 'Soul in Armor 5'. But a few days after I had it printed and put on the wall, I felt that the bottom left corner of the image, the deep blue part, looked like an abyss, as if Mo Ran Yan was in danger of falling at any time. So I immediately removed the image, rotated 'Soul in Armor 5' 180 degrees, and put the abyss at the top, and so this image was adopted. Then, based on the same material, I created the 'Dual Protection' series, which includes Dual Protection 3, Dual Protection 4, Dual Protection 5, Dual Protection 6, Dual Protection 7, and Dual Protection 8."

Dual Protection 2

Dual Protection 1

Soul in Armor 2

Soul in Armor 2-1

Soul in Armor 3

Soul in Armor 4

Soul in Armor 5

Soul in Armor 6

Soul in Armor 7

Soul in Armor 8

Soul in Armor 9

Soul in Armor 10

Dual Protection 3

Dual Protection 4

Dual Protection 5

Dual Protection 6

Dual Protection 7

Dual Protection 8

Discarded 2

"Soft Care 0" is an image I captured from a video advertisement. I was fond of the pattern on the forehead of the little dog in the ad, so I took a photo with my phone. Then I paid a designer to cut out the pattern for me. The result was "Soft Care 0-1", a work by the designer. I replaced the dot in the image with the symbol "soul in armor". My immediate reaction was as if Mo Ran Yan was being strangled, and I was thinking of giving up the image. After studying it closely, I decided to turn it into "Soft Care 0-2". The challenge of this transformation was managing the distance and inclination between the two lines. After various adjustments and sensations, I finally completed the image. The lines in "Soft Care 0-2" are like human fingers. Among all the lines of protection introduced before, it's the weakest but the gentlest, as it contains no offensive force or aggressive element. Based on this line, I developed "Soft Care 1", "Soft Care 2", and "Soft Care 3".

Soft Care 0

Soft Care 0-1

Soft Care 0-2

Soft Care 1

Soft Care 2

Soft Care 3

"Fusion 1", "Fusion 2", "Fusion 2-1", "Fusion 3", "Fusion 3-1", "Fusion 4", "Fusion 5", "Fusion 6", "Fusion 7", "Fusion 8", "Fusion 9", "Fusion 10", "Fusion 10-1", "Fusion 11", "Fusion 12", "Fusion 13", "Fusion 13-1", "Fusion 14", and "Fusion 15" are a series of images. Except for "Fusion 15", which is a composite of several images, the remaining 14 were created by directly replacing and morphing the images on Josephine's paintings. The purpose of creating these images was to make myself feel integrated with nature and the universe, to achieve a sense of unity, harmony, without conflicts or contradictions with my surroundings. I believe fear is a manifestation of conflict and contradiction. Just as I consider the Christian concept of original sin as a form of estrangement – the estrangement between humans and God. When our ancestors ate the forbidden fruit, the self-awareness appeared, we became separated from God, becoming individuals isolated from God. This is similar to Buddhism's teaching of "Anatta" or "no-self", aiming to eliminate such estrangement. I consider this estrangement from God the root of all human suffering. Therefore, in this series of paintings, the colors of my clothing are taken from the surrounding environment to harmonize my figure with the background. During the editing process, I almost tried all the surrounding colors on myself and picked the most harmonious one. Many of these paintings went through four or five revisions before they were finalized, and some were discarded after several transformations because they still felt discordant. "Fusion 4" was the most troublesome as the first four versions felt top-heavy regardless of my editing attempts. The final version is the fifth one developed from a printed photograph. In the "Fusion" series, the images using white light as energy had the biggest challenge, as the display effect of the white light on the screen and the effect on the actual printed photo differed significantly. The complexion of the characters displayed well on the screen, but often appeared too dark when printed. Yet, if I lightened the color on the character's face even slightly, the resulting photo would have too strong white light, appearing stark and inconsistent with the overall image. The problems encountered with using yellow light as energy were somewhat less, but similarly, it also could not be too intense, and the boundary of the yellow light also had to be clear, to give the feeling of a person in an energy group. To express this feeling, the faces of the characters in this series were intentionally blurred. In short, this series of paintings aim to tell Indifferent Rock that while I am protected by various energy groups, I am also one with the world. (Note: Another year has passed. Through a year of observation and experience, I feel that the sense of security conveyed by the "Time-Space Children" series I made later is stronger than this series).

Fusion 1

Fusion 2

Fusion 2-1

Fusion 3

Fusion 3-1

Fusion 4

Fusion 5

Fusion 6

Fusion 7

Fusion 8

Fusion 9

Fusion 10

Fusion 10-1

Fusion 11

Fusion 12

Fusion 13

Fusion 13-1

Fusion 14

Fusion 15

The last two energy diagrams are “Angel's Guidance 1” and “Angel's Guidance 2”. Both of these images were created from the inspiration I received from an article's illustrations during last year's Christmas. They are the latest images I've created, and as the conclusion of this article, I think they hold profound implications. Without the power granted by the Holy Spirit, I don't think I could have written this article. Writing this was a grueling process of recalling and faithfully describing my feelings, which was not easy for me. Hence, before each writing session, I had to pray for guidance from the Holy Spirit. Only through honest portrayal can I provide comfort to those who have experienced similar struggles, and also provide a detailed case study to psychologists and psychiatrists around the world, so they can help me unravel two mysteries. First, why did I uncontrollably fall asleep during meals when I was just over three years old? What kind of illness is this? Secondly, why does the "Armored Soul Diagram" have such a significant therapeutic effect on me? Is it possible that human souls can indeed be expressed with colors and shapes? That's why this article contains so many diagrams. I hope that those who face similar troubles can pick a diagram they like and replace the soul's color in the diagram with their favorite color to see if it works for them.

In all the series of images introduced above, all images related to the artist Josephine were created within a year. However, two or three years after the creation of "Soul in Armor", Mo Ran Yan's thought process underwent a significant change. While she still hates noise, her thought when hearing it now is, "This is temporary and will disappear soon, so there is no need to worry." Previously, as described in the second part, her thought was, "This noise will never disappear, it will exist forever." Maybe Mo Ran Yan has truly grown up, and under her guidance, I have become enamored with photo editing. Tonight is New Year's Eve of 2022 in country G, and this article serves as a New Year's gift I present to myself. May all glory and praise be to my Father in heaven.

Angel's Guidance 1

Angel's Guidance 2